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MuZic
Dictionary |
˹ѧÊ×ͤÓÈѾ·ì´¹µÃÕ·Ò§ÍÔ¹àµÍÃì๷
¤é¹ËÒ-ÈÖ¡ÉÒ¤ÓÈѾ·ì·Ò§´éÒ¹´¹µÃÕä´é·Õè¹Õè
[A]
[B] [C]
[D] [E]
[F] [G]
[H] [I]
[J-K-L] [M]
[N] [O]
[P] [Q]
[R] [S]
[T] [U-V]
[W-X-Y-Z]
H
habanera (Sp.ÍÒºÒà¹ÃÒ) à¾Å§àµé¹ÃÓẺªéҢͧªÒǤÔǺҫ×è§ä´éÃѺ¤ÇÒÁ¹ÔÂÁã¹»ÃÐà·¤Ê໹
à¾Å§ÍÒºÒà¹ÃÒ¹ÕéÍÒ¨ÁÕ¡Óà¹Ô´ÁÒ¨Ò¡·ÇÕ»áÍ¿ÃÔ¡Ò º·à¾Å§¨ÐàÃÔèÁ´éÇ¡ÒÃà¡ÃÔè¹¹ÓÊÑ鹿
áÅéǵÒÁ´éÇ´¹µÃÕ ÊͧÊèǹ «×è§»ÃСͺ´éÇÂá»´Ëéͧà¾Å§áÅÐÊԺˡËéͧà¾Å§µÒÁÅӴѺ
halb(e) (Ger.) Half.
Halbsopran, mezzo-soprano. Halbtenor, baritone.
half cadence ÅÙ¡¨º¡ÅÒ§
half close An imperfect
cadence.
half note (ÎÒÅì¿ â¹éµ)
ËÁÒ¶֧â¹éµµÑÇ¢ÒÇ «×觨ӹǹâ¹éµÊͧµÑǹÕéÃÇÁ¤èÒ¤ÇÒÁÂÒÇà·èҡѺâ¹éµ
´ÑÇ¡ÅÁ˹×è§µÑÇ áÅÐâ¹éµµÑÇ´ÓÊͧµÑÇÃÇÁ¤èÒ¤ÇÒÁÂÒÇà·èҡѺâ¹éµ´ÑÇ¢ÒÇ˹×è§´ÑÇ
half rest (ÎÒÅì¿ àÃÊ·ì)
µÑÇËÂØ´â¹éµµÑÇ¢ÒÇ ÊÑÅѡɳìãËéËÂØ´ÍÍ¡àÊÕ§ÁÕ¤èÒà·èҡѺµÑÇä¹éµµÑÇ¢ÒÇ˹×è§µÑÇ
half step (ÎÒÅì¿ Êàµç»)
¢Ñ鹤ÃÖè§àÊÕ§ (ÍÒ¨àÃÕ¡ÇèÒà«ÁÔâ·¹ ËÃ×Í m2 , ¢Ñ鹤Ùè 2 äÁà¹ÍÃì)
¢Ñ鹤Ùè·ÕèàÅç¡·ÕèÊØ´ã¹´¹µÃÕµÐÇѹµ¡ (´Ù·Õè¤Ó step 2.)
hammerklavier (Gr. ÎÒÁàÁÍÃì¤ÅÒàÇÕÂÃì)
ª×èÍàÂÍÃÁѹ´Ñé§à´ÔÁ·ÕèËÁÒ¶֧ à»ÕÂâ¹ º·à¾Å§â«¹ÒµÒ¢Í§àºâ¸à¿è¹
âÍ»ØÊ 106 ¹Ñé¹µÒÁ»¡µÔáÅéÇàÃÕ¡ÇèÒ ÎÒÁàÁÍÃì¤ÅÒàÇÕÂÃì ⫹ҵÒ
harmonica (ÎÒÃìâÁ¹Ô¡Ò)
(´Ù·Õè¤Ó mouth organ.)
harmonic minor scale (ÎÒÃìâÁ¹Ô¡
äÁà¹ÍÃìÊà¡Å) ºÑ¹ä´àÊÕ§ÎÒÃìâÁ¹Ô¡äÁà¹ÍÃì ºÑ¹ä´àÊÕ§·Õèà¡Ô´¨Ò¡¡ÒáÃдѺ¢Ñé¹·Õè
7 ¢Í§à¹à¨ÍÃÑÅäÁà¹ÍÃì ¢Ö鹤ÃÖè§àÊÕ§ (´Ù·Õè¤Ó minor scale 2.)
harmonics (ÎÒÃìâÁ¹Ô¡Ê)
1. à»ç¹àÊÕ§·Õèà¡Ô´¨Ò¡à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·à¤Ã×èͧÊÒÂâ´ÂÇÔ¸Õ¡ÒÃáµÐ¹ÔéÇà¾Õ§àºÒæ
³ ¨Ø´µèÒ§æ ·ÕèÃÐÂÐáºè§¤Ã×è§ËÃ×ÍàÈÉ˹×è§ÊèǹÊÕ躹ÊÒÂàÊÕ§à¤Ã×èͧ´¹µÃÕ
à¾×èÍãËéà¡Ô´àÊÕ§ÊÙ§¡ÇèÒ ¡Òá´¹ÔéÇẺ¸ÃÃÁ´Ò(¡´µÔ´á¼§ÇÒ§¹ÔéÇ) ³ ¨Ø´à´ÕÂǡѹ
áÅÐ ã¹ËéǧàÇÅÒà´ÕÂǡѹ
2. (´Ù·Õè¤Ó overtone series.)
harmonic progression
¡ÒôÓà¹Ô¹àÊÕ§»ÃÐÊÒ¹ ¡ÅØèÁ¢Í§¤ÍÃì´«Öè§à»ç¹°Ò¹¢Í§·Ó¹Í§ ËÃ×ͺ·»Ãоѹ¸ì¹Ñé¹
ºÒ§¤ÃÑé§ÍÒ¨àÃÕ¡ÇèÒ àÊÕ§»ÃÐÊÒ¹¾×é¹°Ò¹
harmonic rhythm ¨Ñ§ËÇТͧàÊÕ§»ÃÐÊÒ¹
ÃٻẺ¢Í§¨Ñ§ËÇзÕè¡Ó˹´â¡ÒÃà»ÅÕè¹àÊÕ§»ÃÐÊÒ¹
harmonic series A
set of notes produced by a vibrating string or air column, determining
the difference of tone colours of instruments.
harmonization ¡ÒÃãÊèàÊÕ§»ÃÐÊÒ¹
¡ÒÃãÊè¤ÍÃì´·ÕèàËÁÒÐÊÁãËé¡Ñº·Ó¹Í§
harmony (ÎÒÃìâÁ¹Õ) 1.
¡ÒüÊÁàÊÕ§à¢éÒ´éÇ¡ѹ àªè¹ ¤ÍÃì´
2. ¤ÇÒÁÊÑÁ¾Ñ¹¸ìÃÐËÇèҧ͹ءÃÁ¢Í§¤ÍÃì´ â¤Ã§ÊÃéÒ§¢Í§¤ÍÃì´â¹¤Õµ¹Ô¾¹¸ì
harp (ÎÒÃì») à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·à¤Ã×èͧÊÒÂ
¾Ô³ àÊÕ§¨Ò¡¡ÒÃãªé¹ÔéÇ´Õ´ÊÒÂàÊÕ§¢Í§à¤Ã×èͧ´¹µÃÕ »¡µÔáÅéÇÁÕ 47 ÊÒÂ
áÅзÕèàËÂÕºྴ´ÑÅ 7 Íѹ ྴ´ÑÅáµèÅÐÍѹ¨Ð¤Çº¤ØÁÊÒÂàÊÕ§áµèÅЪش
àªè¹ ྴ´ÑÅ Íѹ˹×觨кѧ¤ÑºÊÒÂàÊÕ§ C ·Ñé§ËÁ´áÅÐÍÕ¡Íѹ˹×觨кѧ¤ÑºÊÒÂàÊÕ§
D ·Ñé§ËÁ´ ÎÒÃì»à»ç¹à¤Ã×èͧ´¹µÃÕ à¡èÒá¡èª¹Ô´Ë¹Öè§·ÕèÁÕ¡ÒáÅèÒǶ֧µÑé§áµèÃèÒÇ
3.000 »Õ¡è͹¤ÃÔʵ줵ÇÃÃÉì
harpsichord (ÎÒÃ컫ԤÍÃì´)
à¤Ã×èͧ´¹µÃÕ·Õèà¡Ô´¡è͹à»ÕÂâ¹ ÊÒÂàÊÕ§ÀÒÂã¹à¤Ã×èͧ´¹µÃըж١à¡ÕèÂÇ´éÇÂäÁé´Õ´
(quills) ¢³Ð·ÕèàÃÒ¡´¤ÕÂìÅ§ä» (µÃ§¢éÒÁ¡Ñºà»ÕÂ⹫×è§ãªé¤é͹à¤ÒÐ) ÎÒÃ컫ԤÍÃì´äÁèÍÒ¨ãËéàÊÕ§·Õè´Ñ§ËÃ×ÍàºÒµÒÁÅӴѺä´é
ÍÂèÒ§äáçµÒÁ¡çÁÑ¡¨ÐÁÕ¤ÕÂìºÍÃì´Êͧἧ ¤×Íἧ˹×觨ÐãËéàÊÕ§´Ñ§ Íաἧ˹×觨ÐãËéàÊÕ§àºÒ
»ØèÁËÃ×Íà¤Ã×èͧ¾èǧãªéà¾ÕèÍàª×èÍÁÊÒÂàÊÕ§áµèÅЪش·ÓãËéà¡Ô´àÊÕ§ËÅÒÂÍê͡෿¨Ò¡¡Òá´à¾Õ§¤ÕÂìà´ÕÂÇà·èÒ¹Ñé¹
ÎÒÃ컫ԤÍÃì´ä´éÃѺ¤ÇÒÁ¹ÔÂÁÁҡ㹪èǧȵÇÃÃÉ·ÕèÊԺˡ ¶Ö§¤µÇÃõ·ÕèÊԺỴ
(´Ù·Õè¤Ó spinet, verginal (s).)
hauptzeitmass ¤ÇÒÁàÃçÇà´ÔÁ
head voice Upper
register of voice.
heftig (Ger. àο·Ô¡)
´Øà´×Í´ à¤ÃÕ´ â¡Ã¸
heimlich (Ger. ÎÒÂÁìÅÔ¤ªì)
ÅÖ¡ÅѺ
heiter (Ger. ÎÒÂàµÍÃì)
àÃÕº æ Ê´ãÊ Ê¹Ø¡Ê¹Ò¹
hemidemisemiquever (àÎÁÔà´ÁÔà«ÁÔà¤ÇàÇÍÃì)
(´Ù·Õè¤Ó sixty-fourth note.)
heptachord The scale
of seven notes (e.g. the modern major or minor scale).
hidden fifths Consecutive
fifths implied, but not actually present in harmony and nevertheless
frowned upon by academics.
hocket In medieval
church music, the insertion of rests into vocal parts for expressive
purposes.
hoch ÊÙ§
hold (âÎÅì´) Â×´ÍÍ¡ä»
(´Ù·Õè¤Ó fermata.)
homophonic ´¹µÃÕâÎâÁ⿹Õ
ËÁÒ¶֧´¹µÃÕ·ÕèÁÕá¹ÇàÊÕ§ËÅÑ¡ 1 á¹ÇàÊÕ§ áÅÐÁÕàÊÕ§»ÃÐÊÒ¹»ÃСͺàÊÕ§ËÅÑ¡¹Ñé¹
homophony (Gk., 'same-sounding')
Music in which parts move together presenting a top melody with
accompanying chords. The opposite of polyphony.
hondo or cante hondo (Sp.)
A sad Andalusian song employing some intervals smaller than
a semitone.
hopak (Ru. âλѡ) àÃÕ¡ÍÕ¡ª×èÍÇèÒ
⡻ѡ (gopak) à¾Å§ÃкӷÕèÁÕªÕÇÔµªÕÇҢͧÃÑÊà«ÕÂÍÂÙè㹨ѧËÇлÃÐàÀ·¹ÑºÊͧ
(Êͧ¨Ñ§ËÇÐã¹áµèÅÐËéͧ)
horn (ÎÍÃì¹) (´Ù·Õè¤Ó
French horn.)
hornpipe (ÎÍÃì¹ä»»ì)
à»ç¹à¾Å§àµé¹ÃÓ¾×é¹àÁ×ͧà¡èÒá¡è¢Í§Íѧ¡ÄÉ ÅѡɳÐà¾Å§ÁÕªÕÇÔµªÕÇÒ
à¾Å§ÎÍÃì¹ä»»ìä´éÃѺ¤ÇÒÁ¹ÔÂÁ㹪èǧȵÇÃÃÉ·ÕèÊԺˡ¶Ö§ÊÔºà¡éÒ â´Âà»ç¹·Õèª×蹪ͺã¹ËÁÙèªÒÇ¡ÅÒÊÕàÃ×Í
à¾Å§ÎÍÃì¹ä»»ì㹤µÇÃÃÉ·ÕèÊÔºà¨ç´áÅÐÊԺỴ ¨ÐÍÂÙè㹨ѧËÇÐ 3/2 áÅеèÍÁÒ
à»ÅÕè¹à»ç¹¨Ñ§ËÇÐ 4/4
hubsch (Gr. ÎØºªì) ÁÕàʹèËì
ÊǧÒÁ
humoresque (Fr.), humoreske
(Ger.) An instrumental composition of a capricious nature.
Schumann wrote in this style.
hunting horn (ÎѹµÔé§ ÎÍÃì¹)
à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·áµÃ·Í§àËÅ×ͧ ·ÕèÁÕÃÙ»Åѡɳìà»ç¹·èÍ¢´à»ç¹Ç§äÇéâ´ÂäÁèÁÕÅÙ¡ÊÙº
ÎÑé¹µÔé§ÎÍÃì¹à»ç¹ºÃþºØÃØÉ¢Í§à¿Ã¹«ìÎÍÃì¹ ãªé㹡ÒÃÅèÒÊѵÇìáÅÐÊÇÁãÊèãÇ麹ºèҢͧ¼ÙéàÅè¹
à»ç¹áµÃẺ¸ÃÃÁªÒµÔª¹Ô´Ë¹×è§ (´Ù·Õè¤Ó frence horn.)
hurtig (Gr. ÎÙµÔ¡) àÃçÇ
hymn (ÎÔÁ)à¾Å§¤ÒʹÒËÃ×Íà¾Å§¤Ñ¡´ÔìÊÔ·¸Ôì
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