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MuZic Dictionary

˹ѧÊ×ͤÓÈѾ·ì´¹µÃÕ·Ò§ÍÔ¹àµÍÃì๷

¤é¹ËÒ-ÈÖ¡ÉÒ¤ÓÈѾ·ì·Ò§´éÒ¹´¹µÃÕä´é·Õè¹Õè

[A] [B] [C] [D] [E] [F] [G] [H] [I] [J-K-L] [M] [N] [O] [P] [Q] [R] [S] [T] [U-V] [W-X-Y-Z]

H

habanera (Sp.ÍÒºÒà¹ÃÒ) à¾Å§àµé¹ÃÓẺªéҢͧªÒǤÔǺҫ×è§ä´éÃѺ¤ÇÒÁ¹ÔÂÁã¹»ÃÐà·¤Ê໹ à¾Å§ÍÒºÒà¹ÃÒ¹ÕéÍÒ¨ÁÕ¡Óà¹Ô´ÁÒ¨Ò¡·ÇÕ»áÍ¿ÃÔ¡Ò º·à¾Å§¨ÐàÃÔèÁ´éÇ¡ÒÃà¡ÃÔè¹¹ÓÊÑ鹿 áÅéǵÒÁ´éÇ´¹µÃÕ ÊͧÊèǹ «×è§»ÃСͺ´éÇÂá»´Ëéͧà¾Å§áÅÐÊԺˡËéͧà¾Å§µÒÁÅӴѺ

halb(e) (Ger.) Half. Halbsopran, mezzo-soprano. Halbtenor, baritone.
half cadence ÅÙ¡¨º¡ÅÒ§
half close An imperfect cadence.
half note (ÎÒÅì¿ â¹éµ) ËÁÒ¶֧â¹éµµÑÇ¢ÒÇ «×觨ӹǹâ¹éµÊͧµÑǹÕéÃÇÁ¤èÒ¤ÇÒÁÂÒÇà·èҡѺâ¹éµ ´ÑÇ¡ÅÁ˹×è§µÑÇ áÅÐâ¹éµµÑÇ´ÓÊͧµÑÇÃÇÁ¤èÒ¤ÇÒÁÂÒÇà·èҡѺâ¹éµ´ÑÇ¢ÒÇ˹×è§´ÑÇ
half rest (ÎÒÅì¿ àÃÊ·ì) µÑÇËÂØ´â¹éµµÑÇ¢ÒÇ ÊÑ­ÅѡɳìãËéËÂØ´ÍÍ¡àÊÕ§ÁÕ¤èÒà·èҡѺµÑÇä¹éµµÑÇ¢ÒÇ˹×è§µÑÇ
half step (ÎÒÅì¿ Êàµç») ¢Ñ鹤ÃÖè§àÊÕ§ (ÍÒ¨àÃÕ¡ÇèÒà«ÁÔâ·¹ ËÃ×Í m2 , ¢Ñ鹤Ùè 2 äÁà¹ÍÃì) ¢Ñ鹤Ùè·ÕèàÅç¡·ÕèÊØ´ã¹´¹µÃÕµÐÇѹµ¡ (´Ù·Õè¤Ó step 2.)
hammerklavier (Gr. ÎÒÁàÁÍÃì¤ÅÒàÇÕÂÃì) ª×èÍàÂÍÃÁѹ´Ñé§à´ÔÁ·ÕèËÁÒ¶֧ à»ÕÂâ¹ º·à¾Å§â«¹ÒµÒ¢Í§àºâ¸à¿è¹ âÍ»ØÊ 106 ¹Ñé¹µÒÁ»¡µÔáÅéÇàÃÕ¡ÇèÒ ÎÒÁàÁÍÃì¤ÅÒàÇÕÂÃì ⫹ҵÒ
harmonica (ÎÒÃìâÁ¹Ô¡Ò) (´Ù·Õè¤Ó mouth organ.)
harmonic minor scale (ÎÒÃìâÁ¹Ô¡ äÁà¹ÍÃìÊà¡Å) ºÑ¹ä´àÊÕ§ÎÒÃìâÁ¹Ô¡äÁà¹ÍÃì ºÑ¹ä´àÊÕ§·Õèà¡Ô´¨Ò¡¡ÒáÃдѺ¢Ñé¹·Õè 7 ¢Í§à¹à¨ÍÃÑÅäÁà¹ÍÃì ¢Ö鹤ÃÖè§àÊÕ§ (´Ù·Õè¤Ó minor scale 2.)
harmonics (ÎÒÃìâÁ¹Ô¡Ê) 1. à»ç¹àÊÕ§·Õèà¡Ô´¨Ò¡à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·à¤Ã×èͧÊÒÂâ´ÂÇÔ¸Õ¡ÒÃáµÐ¹ÔéÇà¾Õ§àºÒæ ³ ¨Ø´µèÒ§æ ·ÕèÃÐÂÐáºè§¤Ã×è§ËÃ×ÍàÈÉ˹×è§ÊèǹÊÕ躹ÊÒÂàÊÕ§à¤Ã×èͧ´¹µÃÕ à¾×èÍãËéà¡Ô´àÊÕ§ÊÙ§¡ÇèÒ ¡Òá´¹ÔéÇẺ¸ÃÃÁ´Ò(¡´µÔ´á¼§ÇÒ§¹ÔéÇ) ³ ¨Ø´à´ÕÂǡѹ áÅÐ ã¹ËéǧàÇÅÒà´ÕÂǡѹ
2. (´Ù·Õè¤Ó overtone series.)
harmonic progression ¡ÒôÓà¹Ô¹àÊÕ§»ÃÐÊÒ¹ ¡ÅØèÁ¢Í§¤ÍÃì´«Öè§à»ç¹°Ò¹¢Í§·Ó¹Í§ ËÃ×ͺ·»Ãоѹ¸ì¹Ñé¹ ºÒ§¤ÃÑé§ÍÒ¨àÃÕ¡ÇèÒ àÊÕ§»ÃÐÊÒ¹¾×é¹°Ò¹
harmonic rhythm ¨Ñ§ËÇТͧàÊÕ§»ÃÐÊÒ¹ ÃٻẺ¢Í§¨Ñ§ËÇзÕè¡Ó˹´â¡ÒÃà»ÅÕè¹àÊÕ§»ÃÐÊÒ¹
harmonic series A set of notes produced by a vibrating string or air column, determining the difference of tone colours of instruments.
harmonization ¡ÒÃãÊèàÊÕ§»ÃÐÊÒ¹ ¡ÒÃãÊè¤ÍÃì´·ÕèàËÁÒÐÊÁãËé¡Ñº·Ó¹Í§
harmony (ÎÒÃìâÁ¹Õ) 1. ¡ÒüÊÁàÊÕ§à¢éÒ´éÇ¡ѹ àªè¹ ¤ÍÃì´
2. ¤ÇÒÁÊÑÁ¾Ñ¹¸ìÃÐËÇèҧ͹ءÃÁ¢Í§¤ÍÃì´ â¤Ã§ÊÃéÒ§¢Í§¤ÍÃì´â¹¤Õµ¹Ô¾¹¸ì
harp (ÎÒÃì») à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·à¤Ã×èͧÊÒ ¾Ô³ àÊÕ§¨Ò¡¡ÒÃãªé¹ÔéÇ´Õ´ÊÒÂàÊÕ§¢Í§à¤Ã×èͧ´¹µÃÕ »¡µÔáÅéÇÁÕ 47 ÊÒ áÅзÕèàËÂÕºྴ´ÑÅ 7 Íѹ ྴ´ÑÅáµèÅÐÍѹ¨Ð¤Çº¤ØÁÊÒÂàÊÕ§áµèÅЪش àªè¹ ྴ´ÑÅ Íѹ˹×觨кѧ¤ÑºÊÒÂàÊÕ§ C ·Ñé§ËÁ´áÅÐÍÕ¡Íѹ˹×觨кѧ¤ÑºÊÒÂàÊÕ§ D ·Ñé§ËÁ´ ÎÒÃì»à»ç¹à¤Ã×èͧ´¹µÃÕ à¡èÒá¡èª¹Ô´Ë¹Öè§·ÕèÁÕ¡ÒáÅèÒǶ֧µÑé§áµèÃèÒÇ 3.000 »Õ¡è͹¤ÃÔʵ줵ÇÃÃÉì
harpsichord (ÎÒÃ컫ԤÍÃì´) à¤Ã×èͧ´¹µÃÕ·Õèà¡Ô´¡è͹à»ÕÂâ¹ ÊÒÂàÊÕ§ÀÒÂã¹à¤Ã×èͧ´¹µÃըж١à¡ÕèÂÇ´éÇÂäÁé´Õ´ (quills) ¢³Ð·ÕèàÃÒ¡´¤ÕÂìÅ§ä» (µÃ§¢éÒÁ¡Ñºà»ÕÂ⹫×è§ãªé¤é͹à¤ÒÐ) ÎÒÃ컫ԤÍÃì´äÁèÍÒ¨ãËéàÊÕ§·Õè´Ñ§ËÃ×ÍàºÒµÒÁÅӴѺä´é ÍÂèÒ§äáçµÒÁ¡çÁÑ¡¨ÐÁÕ¤ÕÂìºÍÃì´Êͧἧ ¤×Íἧ˹×觨ÐãËéàÊÕ§´Ñ§ Íաἧ˹×觨ÐãËéàÊÕ§àºÒ »ØèÁËÃ×Íà¤Ã×èͧ¾èǧãªéà¾ÕèÍàª×èÍÁÊÒÂàÊÕ§áµèÅЪش·ÓãËéà¡Ô´àÊÕ§ËÅÒÂÍê͡෿¨Ò¡¡Òá´à¾Õ§¤ÕÂìà´ÕÂÇà·èÒ¹Ñé¹ ÎÒÃ컫ԤÍÃì´ä´éÃѺ¤ÇÒÁ¹ÔÂÁÁҡ㹪èǧȵÇÃÃÉ·ÕèÊԺˡ ¶Ö§¤µÇÃõ·ÕèÊԺỴ (´Ù·Õè¤Ó spinet, verginal (s).)
hauptzeitmass ¤ÇÒÁàÃçÇà´ÔÁ
head voice Upper register of voice.
heftig (Ger. àο·Ô¡) ´Øà´×Í´ à¤ÃÕ´ â¡Ã¸
heimlich (Ger. ÎÒÂÁìÅÔ¤ªì) ÅÖ¡ÅѺ
heiter (Ger. ÎÒÂàµÍÃì) àÃÕº æ Ê´ãÊ Ê¹Ø¡Ê¹Ò¹
hemidemisemiquever (àÎÁÔà´ÁÔà«ÁÔà¤ÇàÇÍÃì) (´Ù·Õè¤Ó sixty-fourth note.)
heptachord The scale of seven notes (e.g. the modern major or minor scale).
hidden fifths Consecutive fifths implied, but not actually present in harmony and nevertheless frowned upon by academics.
hocket In medieval church music, the insertion of rests into vocal parts for expressive purposes.
hoch ÊÙ§
hold (âÎÅì´) Â×´ÍÍ¡ä» (´Ù·Õè¤Ó fermata.)
homophonic ´¹µÃÕâÎâÁâ¿¹Õ ËÁÒ¶֧´¹µÃÕ·ÕèÁÕá¹ÇàÊÕ§ËÅÑ¡ 1 á¹ÇàÊÕ§ áÅÐÁÕàÊÕ§»ÃÐÊÒ¹»ÃСͺàÊÕ§ËÅÑ¡¹Ñé¹
homophony (Gk., 'same-sounding') Music in which parts move together presenting a top melody with accompanying chords. The opposite of polyphony.
hondo or cante hondo (Sp.) A sad Andalusian song employing some intervals smaller than a semitone.
hopak (Ru. âλѡ) àÃÕ¡ÍÕ¡ª×èÍÇèÒ â¡»Ñ¡ (gopak) à¾Å§ÃкӷÕèÁÕªÕÇÔµªÕÇҢͧÃÑÊà«ÕÂÍÂÙè㹨ѧËÇлÃÐàÀ·¹ÑºÊͧ (Êͧ¨Ñ§ËÇÐã¹áµèÅÐËéͧ)
horn (ÎÍÃì¹) (´Ù·Õè¤Ó French horn.)
hornpipe (ÎÍÃì¹ä»»ì) à»ç¹à¾Å§àµé¹ÃÓ¾×é¹àÁ×ͧà¡èÒá¡è¢Í§Íѧ¡ÄÉ ÅѡɳÐà¾Å§ÁÕªÕÇÔµªÕÇÒ à¾Å§ÎÍÃì¹ä»»ìä´éÃѺ¤ÇÒÁ¹ÔÂÁ㹪èǧȵÇÃÃÉ·ÕèÊԺˡ¶Ö§ÊÔºà¡éÒ â´Âà»ç¹·Õèª×蹪ͺã¹ËÁÙèªÒÇ¡ÅÒÊÕàÃ×Í à¾Å§ÎÍÃì¹ä»»ì㹤µÇÃÃÉ·ÕèÊÔºà¨ç´áÅÐÊԺỴ ¨ÐÍÂÙè㹨ѧËÇÐ 3/2 áÅеèÍÁÒ à»ÅÕè¹à»ç¹¨Ñ§ËÇÐ 4/4
hubsch (Gr. ÎØºªì) ÁÕàʹèËì ÊǧÒÁ
humoresque (Fr.), humoreske (Ger.) An instrumental composition of a capricious nature. Schumann wrote in this style.
hunting horn (ÎѹµÔé§ ÎÍÃì¹) à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·áµÃ·Í§àËÅ×ͧ ·ÕèÁÕÃÙ»Åѡɳìà»ç¹·èÍ¢´à»ç¹Ç§äÇéâ´ÂäÁèÁÕÅÙ¡ÊÙº ÎÑé¹µÔé§ÎÍÃì¹à»ç¹ºÃþºØÃØÉ¢Í§à¿Ã¹«ìÎÍÃì¹ ãªé㹡ÒÃÅèÒÊѵÇìáÅÐÊÇÁãÊèãÇ麹ºèҢͧ¼ÙéàÅè¹ à»ç¹áµÃẺ¸ÃÃÁªÒµÔª¹Ô´Ë¹×è§ (´Ù·Õè¤Ó frence horn.)
hurtig (Gr. ÎÙµÔ¡) àÃçÇ
hymn (ÎÔÁ)à¾Å§¤ÒʹÒËÃ×Íà¾Å§¤Ñ¡´ÔìÊÔ·¸Ôì
 

 

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