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MuZic
Dictionary |
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˹ѧÊ×ͤÓÈѾ·ì´¹µÃÕ·Ò§ÍÔ¹àµÍÃì๷
¤é¹ËÒ-ÈÖ¡ÉÒ¤ÓÈѾ·ì·Ò§´éÒ¹´¹µÃÕä´é·Õè¹Õè
[A]
[B] [C]
[D] [E]
[F] [G]
[H] [I]
[J-K-L] [M]
[N] [O]
[P] [Q]
[R] [S]
[T] [U-V]
[W-X-Y-Z]
i, il (It. ÍÔ, ÍÔÅ)
¤Ó¹Ó˹éÒ¹ÒÁ
idee fixe (Fr., 'fixed
idea') Berlioz' term for motto theme which means a recurring
theme in a composition used (e.g. in his Symphonie Fantastique).
idyll A literary
term for a work of pastoral or peaceful nature and transferOrange
to music (e.g. Siegfried Idyll by Wagner).
illustrative music
Descriptive music evoking a poem, novel, play, painting emotion
or other non-musical source. More common term is programme music.
im ersten zeitmass (Gr.
ÍÔÁ áÍÃìàµç¹ «Ò·ìÁÒÊ ¡ÅѺä»ãªé¤ÇÒÁàÃçÇà·èÒà´ÔÁ
imitation ÅÙ¡ÅéÍ
¡ÒëéÓà¹×éËҷӹͧà´ÕÂǡѹâ´Âá¹ÇàÊÕ§µèÒ§ æ ¡Ñ¹
immer (Gr. ÍÔÁàÁÍÃì)
àÊÁÍ
immer im tempo ÃÑ¡ÉҨѧËÇÐà´ÔÁäÇé
immer belebter (Gr. ÍÔÁàÁÍÃ
àºàÅçºà·Í) ÁÕªÕÇÔµªÕÇÒÁÒ¡¢Öé¹·ÕÅйéÍÂ
immer langsamer werden
(Gr. ÍÔÁàÁÍÃì ÅÒ§«ÑÁàÁÍ áÇÃìà´ç¹) ªéÒŧ·ÕÅйéÍÂ
imperfect authentic cadence
ÅÙ¡¨ºäÁèÊÁºÙóì ÅÙ¡¨º·éÒ«Öè§ÁÕá¹ÇàÊÕ§·ÕèÊÙ§·ÕèÊØ´¨ºã¹µÑÇâ¹éµÍ×è¹·ÕèäÁèãªèâ·¹Ô¡
imperfect cadence ÅÙ¡¨ºäÁèÊÁºÙóì
impressionism ´¹µÃÕẺ˹Ö觵͹»ÅÒÂȵÇÃÃÉ·Õè
19 áÅеé¹ÈµÇÃÃÉ·Õè 20
impromptu (ÍÔÁ¾ÃéÍÁ·Ø)
à¾Å§·Õèà¢Õ¹ã¹ÅѡɳÐÍÔÊÃÐàÊÃÕ ÁÕ¤ÕµÅѡɳ1Áèá¹è¹Í¹ ¹ÔÂÁ¡Ñ¹ã¹Âؤ
âÃáÁ¹µÔ¡ (¤µÇÃÃÉ·ÕèÊÔºà¡éÒ) ÍÔÁ¾ÃéÍÁ·ØÁÑ¡äËé¤ÇÒÁÃÙéÊÖ¡¶Ö§¡Òôé¹à¾Å§¤×Íã¹ÅѡɳÐàÅè¹ä»áµè§ä»
improvisation (ÍÔÁT¾ÃäÇé૪ѹ)
¡ÒÃàÅè¹´¹µÃÕÍÂèÒ§¾ÅÔ¡á¾Å§â´ÂãÊè¡ÅàÁç´à´ç´¾ÃÒÂàÍÒàͧäÁèä´éàµÃÕÂÁäÇéËÃ×Ͷ١¡Ó˹´
in modo di (It.) In
the style or manner of.
incalzando (It. ÍÔ¹¤Òūҹâ´)
ÍÂèÒ§ÃÕºàÃè§
incidental music (ÍÔ¹ÊÔà´¹·ÑÅ
ÁÔÇÊÔ¡) ´¹µÃÕ»ÃСͺÅФà ÅФáÃÕ¡ÁÑ¡¨ÐÁÕ´¹µÃÕ»ÃСͺàªè¹à´ÕÂÇ
¡ÑºÅФâͧતÊà»ÕÂÃì ÅФÃÊÁÑÂãËÁèÊèǹÁÒ¡¡çãªÑ´¹µÃÕ»ÃСͺÅФôéÇÂ
inciso (It.) Incisive.
indeterminacy A
modernistic principal since 1945 of leaving elements of performance
to pure chance (see aleatoric music) or letting performers decide
when to play certain passages. Berio, Cage and Stockhausen used
this concept in their compositions.
indesciso (It. ÍԹഫÔT«)
µÑ´ÊÔ¹ã¨äÁèä´é ÅѧàÅã¨
infinite canon A
neverending canon popularly known as a round (e.g. Three Blind
Mice).
inglese (It.) English.
innig (Ger. ÍÔ¹¹Ô¡)
¤Øé¹à¤Â ´éǨԵã¨
inquieto (It. ÍÔ¹¤ÇÕàÍâµ)
¡ÃÐÊѺ¡ÃÐÊèÒÂ
instrumentation ¡ÒÃàÅ×Í¡ãªéà¤Ã×èͧ´¹µÃÕ
¡ÒÃàÅ×Í¡ãªéà¤Ã×èͧ´¹µÃÕ㹺·»Ãоѹ¸ì
interlude (I) Music
inserted between other pieces of music (e.g. organ passages between
hymn verses); (2) Music inserted between acts of plays or other
non-musical events.
intermede (Fr.) Same
as intermezzo.
intermezzo (It., 'something
in the middle')\ (I) An instrumental piece in opera, i.e.
performed while the stage is empty; (2) A short concert piece.
Brahms wrote in this style.
interrupted cadence
See cadence.
interval (ÍÔ¹à·ÍÃìÇÍÅ)
ÃдѺàÊÕ§·ÕèᵡµèÒ§¡Ñ¹ÃÐËÇèÒ§àÊÕ§ÊͧàÊÕ§ ¢Ñ鹤ÙèàÊÕ§ä´ÍÒâ·¹Ô¡ÍÒ¨à»ç¹ÅѡɳоÅÔ¡¡ÅѺ
¤×Í ¢Ñ鹤ÙèàÊÕ§ª¹Ô´àÁà¨ÍÃìàÁ×è;ÅÔ¡¡ÅѺáÅéǨÐà»ç¹äÁà¹ÍÃì 㹷ӹͧà´ÕÂǡѹ¢Ñ鹤ÙèàÊÕ§ª¹Ô´äÁà¹ÍÃìàÁ×è;ÅÔ¡¡ÅѺ¨Ðà»ç¹àÁà¨ÍÃì
Êèǹ¢Ñ鹤ÙèàÊÕ§à¾Íà¿¡µìÂѧ¤§à»ç¹à¾Íà¿¡µì ¶Ö§áÁé¨Ð¾ÅÔ¡¡ÅѺáÅéÇ¡çµÒÁ
(´Ù·Õè¤Ó inversion.)
intonation (ÍÔ¹â·à¹ªÑè¹)
¡Ò÷ÓäËéÁÕÃдѺàÊÕ§¶Ù¡µéͧ ¨Ð´éÇÂÇÔ¸Õ¡ÒÃàÅè¹ËÃ×Í¡ÒÃÃéͧ¡çµÒÁ
invention (ÍÔ¹àǹªÑè¹)
à»ç¹ª×èÍ·Õè à¨àÍʺҤ ¤Ô´¢Öé¹ãªé㹡ÒÃáµè§à¾Å§»ÃÐàÀ·Êͧá¹ÇáÅÐÊÒÁá¹Ç
ÍÔ¹àǹªÑè¹ (º·à¾Å§ÊÑ鹿 ·Õèà¢Õ¹ã¹ÅѡɳТͧà¤Òà·ÍоÍ·ìẺÍÔÊÃÐ)
inversion (ÍÔ¹àÇÍÃìªÑ¹)Ø
¡ÒþÅÔ¡¡ÅѺ
1. ¢Ñ鹤ÙèàÊÕ§·ÕèÁÕ¡ÒþÅÔ¡¡ÅѺ â´ÂãËéâ¹éµµÑǵèÓ¡ÇèÒ¡ÅѺ¢Öé¹ä»ÍÂÙèÊÙ§¡ÇèÒà´ÔÁ˹×è§Íê͡ൿ
2. ¤ÍÃì´¨ÐÍÂÙèã¹ÅѡɳоÅÔ¡¡ÅѺ ËÒ¡·ÓãËéâ¹éµµÑÇã´µÑÇ˹×è§ (¹Í¡¨Ò¡â¹éµµÑǾ×é¹¹Ñé¹)
ÍÂÙèµèÓÊØ´ÊÓËÃѺ¤ÍÃì´¹Ñ鹿
ionian mode The
mode which, on the white keys of the piano, is represented from
C to C (same as C major scale)
irresoluto (It. ÍÕàÃâ«ÅÙâµ)ÍÂèÒ§µÑ´ÊÔ¹ã¨äÁèä´éÁÕÍÒ¡ÒÃÅѧàÅ
isorhythmic (Gk ., 'equal-rhythmed')
A device used in motets around 1300- 1450 in which the rhythmic
pattern is repeated according to a strict scheme. This usually
occurs in the tenor line in which the rhythm is repeated several
times in diminishing note values.
istesso (It. ÍÔÊàµÊâ«)
àËÁ×͹¡Ñ¹
istesso tempo (It.)
ÍѵÃÒ¤ÇÒÁàÃçÇàËÁ×͹à´ÔÁ
Italian overture An
orchestral work revealing a literary or pictorial element in three
movements, quick-slow-quick, from which the symphony evolved.
The French overture has slow-quick-slow movements.
Italian sixth A
type of augmented sixth chord (e.g. A flat, C and F sharp) distinguished
by having a major triad and no other note between the notes forming
the sixth.
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