.:: àǻ䫷ìà¾×è͹ºéÒ¹ ::. |
|
 |
MuZic
Dictionary |
|
˹ѧÊ×ͤÓÈѾ·ì´¹µÃÕ·Ò§ÍÔ¹àµÍÃì๷
¤é¹ËÒ-ÈÖ¡ÉÒ¤ÓÈѾ·ì·Ò§´éÒ¹´¹µÃÕä´é·Õè¹Õè
[A]
[B] [C]
[D] [E]
[F] [G]
[H] [I]
[J-K-L] [M]
[N] [O]
[P] [Q]
[R] [S]
[T] [U-V]
[W-X-Y-Z]
ma (It. ÁÒ) áµè ÍÂèÒ§äáçµÒÁ
Allegro ma non troppo ËÁÒ¶֧ àÃçÇá´èäÁèÁÒ¡¹Ñ¡
ma non troppo (It. ÁÒ ¹Í¹
µÃçÍ»â») áµèäÁèÁÒ¡à¡Ô¹ä»
machtig (Gr. àÁ礪ì·Ô¡)
ÁÕ¾Åѧ
madrigal (áÁ´ÃÔ¡ÑÅ) à¾Å§Ãéͧ»ÃÐÊÒ¹àÊÕ§»ÃÐàÀ·à¾×èͤÇÒÁºÑ¹à·Ô§
(ãÁèãªè·Ò§¤ÒʹÒ) Ãéͧâ´ÂäÁèµéͧãªéà¤Ã×èͧ´¹µÃÕ¤ÅÍ»ÃСͺ â´Âáµè§ÍÂÙèã¹ÅѡɳÐà¤Òà·ÍоÍ·ì
ä´éÃѺ ¤ÇÒÁ¹ÔÂÁ㹪èǧȵÇÃÃÉ·ÕèÊÔºÊÕè¶Ö§ÊÔºà¨ç´ »¡µÔà¾Å§áÁ´ÃÔ¡ÑŨÐãªéàÊÕ§Ãéͧ˹×觤¹µèÍ˹×è§á¹èǷӹͧ
maelzel's metronome (àÁÅà«ÅÊ
àÁâµÃâ¹Á) àÁâµÃâ¹Á¢Í§àÁÅà«Å
maestoso (It. ÁÒàÍÊâµâ«)
ÍÂèÒ§ÀÒ¤ÀÙÁÔáÅÐʧèÒ§ÒÁ
maestro (It., 'master')
This title was given to well-known conductors and composers
in Italy. It is now used (sometimes rather amusingly) elsewhere.
maggiore (It.) Major.
mais (Fr. áÁ áµè
mais pas trop (Fr. áÁ »Ò
â·Ã áµèäÁèÁÒ¡à¡Ô¹ä»è
maj Abbreviation
of the major scale.
major, minor These
are the two main scales of the western tonal system. The major key
is based on the major scale and the minor key is based on the minor
scale. The minor scale breaks into three variations: harmonic, melodic
and natural. These terms also refer to chords and intervals being
built out of the major or minor scale.
major scale (àÁà¨Íà Êà¡Å)
ºÑ¹ä´àÊÕ§Ẻä´ÍÒâ·¹Ô¡·Õè»ÃСͺ´éÇÂ˹×è§àÊÕ§àµçÁËéÒ¢Ñé¹áÅÐ
ª¹Ô´¤Ã×è§àÊÕ§Êͧ¢Ñé¹
mal (Ger.) àÇÅÒ
malaguena (Sp.) An
Andalusian dance, originating in Malaga, marked by singing. This
term also describes an instrumental piece of similar nature.
malinconia (It.) Melancholy.
mambo (ÁÒÁâº) ¡ÒÃà´é¹ÃÓẺÅÒµÔ¹ÍàÁÃԡѹ
«×è§»ÃÒ¡¯¤ÃÑé§áá㹪èǧ¡ÅҧȵÇÃÃÉ·ÕèÂÕèÊÔº
mancando (It. ÁÒ¹¤Ò¹â´)
àºÒŧ·ÕÅйéͨ¹àÊÕ§ËÒÂä»
marcato (It.) Marked,
emphatic.
mancando (It. ÁÒ¹¤Ò¹â´)
¨Ò§ËÒÂä» àºÒŧàÃ×èÍÂæ
mandolin (áÁ¹â´ÅÔ¹) à»ç¹à¤ÃÕèͧ´¹µÃÕª¹Ô´à´ÕÂÇã¹µÃСÙÅÅÙ··ÕèÂѧ¤§¹ÔÂÁãªéÍÂÙè㹻Ѩ¨ØºÑ¹
áÁ¹â´ÅÔ¹ÁÕÃÙ»ÃèÒ§¤ÅéÒÂÅÙ¡á¾Ãì ÁÕÊÒÂàÊÕ§¨Ñ´à»ç¹¤Ùè ¨Ó¹Ç¹ÊÕè¤Ùè «×è§àÅè¹´éÇÂÍØ»¡Ã³ìÊÓËÃÑ麴մ
(à¾Å礷ÃÑÁ) áÅÐá¼§ÇÒ§¹ÔéÇ¡çÁÕ¢Õ´áºè§àÊÕ§ (à¿Ãçµ) ´ÑÇÂ
maraca (Cu. ÁÒÃÒ¤Ò) à»ç¹à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·µÕ¡Ãзº
ãªéà¢ÂèÒàÊÕ§ã¹à¾Å§»ÃÐàÀ·ÅÒµÔ¹ÍàÁÃԡѹ à¤Ã×èͧ´¹µÃÕ·Ó¨Ò¡¼ÅäÁéáËé§»ÃÐàÀ·ºÇº
«×è§ÁÕàÁÅç´àÅç¡æ ÀÒÂ㹼ŠÁÕ´éÒÁ¶×Í ËÃѺÊÑè¹ãËéà¡Ô´àÊÕ§ä´éáÅÐÁÑ¡ãªéà»ç¹¤Ùè
marcato (It. ÁÒÃì¤Òâµ)
à¹é¹ ÂéÓãËéà´è¹ ¤ÓÂèͤ×Í marc.
march (ÁÒÃìª) ´¹µÃÕÊÓËÃѺ¡ÒÃà´Ô¹á¶Çì
»¡µÔ¨ÐÍÂÙè㹨ѧËÇÐ 4/4 , 2/4 ËÃ×Í 6/8
marche (Fr.) March.
marcia (It. ÁÒÃìà«ÕÂ)
à´Ô¹á¶ÇÊǹʹÒÁ
marcia funebre (It. ÁÒÃìà«ÕÂ
¿Ùà¹àºÃ) à¾Å§à´Ô¹á¶ÇáËèȾ
marimba (ÁÒÃÔÁºéÒ) à»ç¹à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·ó¡Ãзºª¹Ô´Ë¹×è§
»ÃСͺ´éÇÂá·è§äÁé·Õèà·ÕºàÊÕ§áÅéÇ ¨Ñ´àÃÕ§¤ÅéÒÂà»ÕÂâ¹ â´ÂÁÕ·èÍ¡Åǧ«×è§à»ç¹µÑÇ·ÓàÊÕ§¡Ñͧ
ÍÂÙèãµéá·è§äÁéáµèÅÐá·è§ ãªéµÕ´éÇÂäÁé ÃÙ»¤é͹ ÊèǹËÑǢͧäÁé¶éÒÊÃéÒ§¨Ò¡ÇÑʴصèÒ§¡Ñ¹àÊÕ§·Õèà¡Ô´¨Ò¡¡Òõաç¨ÐµèÒ§¡Ñ¹ÍÍ¡ä»
ÁÒÃÔÁºéÒÁÕáËÅè§¡Óà¹Ô´ÁÒ¨Ò¡·ÇÕ»áÍ¿ÃÔ¡Ò ã¹»Ñ¨¨ØºÑ¹¹Õéà»ç¹·Õè¹ÔÂÁ¡Ñ¹·ÑèÇã»ã¹·ÇÕ»
ÍàÁÃÔ¡Ò ÁÕÃÙ»ÃèÒ§¤ÅéÒÂä«âÅ⿹ áµèàÊÕ§·ØéÁµèÓ¡ÇèÒáÅÐÁÕªèǧàÊÕ§»ÃÐÁÒ³ËéÒÍê͡෿
marque à¹é¹
martellato (It. ÁÒÃìà·ÅÅÒâµ)
ÍÂèÒ§àµçÁ¡ÓÅѧ, à©Õº¢Ò´
martele à¹é¹Ë¹Ñ¡
marziale (It. ÁÒÃì«ÔÍÒàÅ)
àËÁ×͹¡ÑºÊ§¤ÃÒÁ
masque Aristocratic,
elaborate English stage entertainment chiefly cultivated in the
17th century and involving poetry, dancing, scenery, costumes, instrumental
and vocal music. The masque was related to opera and ballet.
mass (áÁÊ) à¾Å§ÊÇ´ÍÂèÒ§à»ç¹·Ò§¡Òâͧ¤ÒʹÒâÃÁѹ¤Ò·ÍÅÔ¡
·ÕèÁÕÊèǹ»ÃСͺ´éÇÂÔÃÔàÍ ¡ÅÍàÃÕ ÍÔ¹àÍ¡à«Å«ÔÊà´âÍ à¤Ãâ´ «Ñ§µØÊáÅÐÍÑ¹ÂØÊà´ÍÕ
massig (Gr. áÁÊÊÔ¡) »Ò¹¡ÅÒ§
àËÁ×͹¡Ñº andante
massig bewegt (Gr. áÁÊÊÔ¡
àǪ·ì) ÁÕªÕÇÔµªÕÇÒ»Ò¹¡ÅÒ§
mattinata (It. ) Morning
song.
mazurka (ÁÒ«ÙÃì¡Ò) à¾Å§àµé¹ÃÓ¾×é¹àÁ×ͧ¢Í§ªÒÇâ»áŹ´ì
¨Ò¡µÓºÅã¹ÁÒâ«àÇÕ »ÃÐà·Èâ»áŹ´ì »¡µÔ¨ÐÍÂè㹨ѧËÇÐ 3/8 ËÃ×Í 3/4 â´Â·ÑèÇä»à¢Õ¹ã¹ÅÑ¡ÉàÐà¾Å§ÊͧÊèǹËÃ×Í
ÊÕèÊèǹ áÅÐáµèÅÐÊèǹ ¨ÐÁÕ¡éÒÃÂé͹áÅÐãËéà¹é¹àÊÕ§·Õè¨Ñ§ËÇÐÊͧËÃ×ÍÊÒÁ
M.D. (àÍçÁ ´Õ) Á×Í¢ÇÒ
à»ç¹¤ÓÂèͧ͢¤ÓÇèÒ mano destra (ÍÔ.) ËÃ×Í main droite (½.) measure
(àÁÊàªèÍÃì)µÑÇâ¹éµËÃ×Í´ÑÇËÂØ´·ÕèÍÂÙèÀÒÂã¹ÃÐËÇèÒ§àÊ鹡Ñé¹ËéͧÊͧàÊé¹
¨Ó¹Ç¹à¤ÒзÕèÍÂèÀÒÂã¹ ªèǧ´Ñ§¡ÅèÒÇ ¨Ð¶Ù¡áÊ´§´éÇÂà¤Ã×èͧËÁÒ¡Ó˹´¨Ñ§ËÇÐ
(´Ù·Õè¤Ó time signature.) ¨Ñ§ËÇÐáá¢Í§áµèÅÐàÁÊàªèÍÃìÁÑ¡¨Ðà¹é¹àÅ硹éÍÂ
àÃÕ¡ÍÕ¡ª×èÍ˹×è§ÇèÒ ºÒÃì (Ëéͧà¾Å§)
measure Ëéͧ ¡ÅØèÁ¢Í§¨Ñ§ËÇзÕèÍÂÙèÀÒÂã¹àÊ鹡Ñé¹Ëéͧ
â´Â¨Ñ§ËÇÐááÁÑ¡¨ÐÁÕ¡ÒÃà¹é¹
mediant A name for
the third degree of the scale (e.g. E is in the mediant in C major).
The mediant is so-called because it stands between the tonic and
dominant.
mehr (Gr. àÁÃì) ÁÒ¡¢Öé¹
melisma (Gk., ' song'; plural
melismata) Describes a group of notes sung to the same syllable.
However, the term is also applied to any florid vocal passage of
improvisatory or cadenza-like nature.
melodic goal (àÁâÅ´Ô¡ â¡Åì)¨Ø´ËÁÒ¢ͧ·Ó¹Í§
¨Ø´¡Ó˹´·ÕèÊÙ§ËÃ×͵èÓã¹á¹Ç·Ó¹Í§
melodic minor scale (àÁâÅ´Ô¡äÁà¹ÍÃìÊà¡Å)ºÑ¹ä´àÊÕ§àÁâÅ´Ô¡äÁà¹ÍÃì
ºÑ¹ä´àÊÕ§·Õèà¡Ô´¨Ò¡¡ÒÃá»Å§à¹à¨ÍÃÑÅäÁà¹ÍÃì â´Â¡ÒáÃдѺ¢Ñé¹·Õè
6 áÅÐ 7 ¢Ö鹤ÃÖè§àÊÕ§㹢³ÐäÅè¢Öé¹ áÅÐÅ´ÃдѺàÊÕ§¡ÅѺàËÁ×͹à´ÔÁã¹¢³ÐäÅèŧ
(´Ù·Õ¤Ó minor scale 3.)
melodic shape (àÁâÅ´Ô¡ ઻)ÃÙ»ÃèÒ§¢Í§·Ó¹Í§
·ÔÈ·Ò§áÅÐâ¤Ã§ÃèÒ§¢Í§á¹Ç·Ó¹Í§
melody (àÁâÅ´Õ) ·Ó¹Í§à¾Å§
à¾Å§Ãéͧ ·Ó¹Í§ËÅÑ¡
melodrama In musical
contexts, this term refers to the dramatic use of the spoken word
against a musical background. This style may be used throughout
an entire work or just as part of a work.
mellophone (àÁâÅ⿹)
ËÁÒ¶֧ á´ÃÍÕá¿ÅçµÍÑÅâµÎÍÃì¹ì ÊÁÒªÔ¡ã¹µÃСÙÅà¤Ã×èͧ·Í§àËÅ×ͧ
àÁâÅ⿹ÁÕ·èÍẺ¡ÃÇ Êèǹ»Ò¡à»èÒà»ç¹ÃÙ»¶éÇÂáÅÐÅÙ¡ÊÙºª¹Ô´ÊÒÁ·èÍ à»ç¹à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·µéͧÂéÒ¤ÕÂì
meme (Fr. áÁÁ) àËÁ×͹à´ÔÁ
meme mouvement(Fr. áÁÁ ÁÙàÇÍÁͧ)
ÍѵÃÒ¤ÇÒÁàÃçÇàËÁ×͹à´ÔÁ
meno allegro(It. àÁâ¹ ÍÑÅàÅâ¡Ã)
¹éÍÂŧ Meno mosso ËÁÒ¶֧àÃçǪéÒŧ ËÃ×ͪéÒ¡ÇèÒ
meno (It. àÁâ¹) ¹éÍÂŧ
Meno mosso ËÁÒ¶֧àÃçǪéÒŧ ËÃ×ͪéÒ¡ÇèÒ
Meno mosso slower.
menuet (Fr. àÁ¹ÙàÍ), menuett
(Ger. àÁ¹ÙàÍçµ) (´Ù·Õè¤Ó minuet)
menuetto Term used
by German composers who believed it to be Italian for minuet. The
Italian for minuet is minuetto.
messa di voce (It.) The
steady increasing and decreasing of volume on one long held note
in singing.
messe (Fr. and Ger.)
Same as mass.
mesto (It.) àÈÃéÒâÈ¡
«ÖÁ
meta (It.) Half.
metamorphosis of themes
Liszt's term for leitmotif, the recurring and development of
themes symbolising a character, emotion, object, idea, etc.
meter (ÁÔàµÍÃì)¡ÒÃÃÇÁ¡ÅØèÁ¨Ñ§ËÇÐáÅÐà¹é¹áºº»¡µÔ乺·»Ãоѹ¸ìà¾Å§
«×觺觪Õé´éÇÂà¤Ã×èͧËÁÒ¡Ó˹´¨Ñ§ËÇÐ
1. ¡ÒùѺ¨Ñ§ËÇÐẺ§èÒÂËÃ×ÍẺ¸ÃÃÁ´Ò
»ÃÐàÀ·¹ÑºÊͧ¨Ñ§ËÇÐ (Êͧ¨Ñ§ËÇеèͪèǧ¡ÒùѺ) 2/2 2/4 2/8
»ÃÐàÀ·¹ÑºÊÒÁ¨Ñ§ËÇÐ(ÊÒÁ¨Ñ§ËÇеèÍ˹×觪èǧ¡ÒùѺ) 3/2 3/4 3/8
»ÃÐàÀ·¹ÑºÊÕè¨Ñ§ËÇÐ (ÊÕè¨Ñ§ËÇеèÍ˹×觪èǧ¡ÒùѺ) 4/2 4/4 4/8
2. ¡ÒùѺ¨Ñ§ËÇÐẺ¼ÊÁ µÑÇàÅ¢º¹¢Í§à¤Ã×èͧËÁÒ¡Ó˹´¨Ñ§ËÇйÑé¹ ËÒÃŧµÑÇä´é´éÇÂàÅ¢ÊÒÁ
¨Ñ§ËÇмÊÁẺ¹ÑºÊͧ 6/2 6/4 6/8 (¨Ñ§ËÇйѺÊͧËÃ×͹Ѻˡ (ÂèÍÂ) ÀÒÂã¹Ë¹×è§Ëéͧ)
¨Ñ§ËÇмÊÁẺ¹ÑºÊÒÁ 9/2 9/4 9/8 (¨Ñ§ËÇйѺÊÒÁËÃ×͹Ѻà¡éÒ (ÂèÍÂ) ÀÒÂã¹Ë¹×è§ËÑͧ)
¨Ñ§ËÇмÊÁẺ¹ÑºÊÕè 12/2 12/4 12/8 (¨Ñ§ËÇйѺÊÕèËÃ×͹ѺÊÔºÊͧ (ÂèÍÂ)ÀÒÂã¹Ë¹×è§Ëéͧ)
(´Ù·Õè¤Ó time signature.)
metre This is indicated
by a time signature dividing up the music into regularly occurring
accents (e.g. 3/4 time means that the basic note values are quarter
notes and that every third one is accented).
metronome (àÁâµÃ¹ÍÁ) à»ç¹à¤Ã×èͧÁ×Í·ÕèÊÒÁÒöµÑé§ãËéµÕºÍ¡¨Ñ§ËÇеèÒ§æ
ãªé㹡ÒáÓ˹´¤ÇÒÁàÃçÇ ¢Í§º·»Ãоѹ¸ì áÅЪèÇÂÃÑ¡ÉҨѧËÇдéÇ µÑÇÍÂèÒ§àªè¹
M.M.=80 «×è§¡Ó˹´äÇé·ÕèµÍ¹µé¹¢Í§º·à¾Å§ ËÃ×͵͹˹×觢ͧà¾Å§ ÁÕ¤ÇÒÁËÁÒÂÇèÒãË黯ԺµÔâ¹éµµÑÇ´Ó˹×è§µÑÇà·èҡѺ˹×觨ѧËÇÐ
àÁ×è͵Ñé§àÁâµÃ¹ÍÁ·Õè µÑÇàÅ¢ 80 ¨Ðä´éàÊÕ§´ÕºÍ¡ 80 ¤ÃÑé§ (â¹éµµÑÇ´Ó
80 µÑÇ) µèÍ˹×è§¹Ò·Õ (´Ù·Õè¤ÓÇèÒ M.M.)
mezzo (It. àÁ«â«, 'half')
»Ò¹¡ÅÒ§
mezzo forte (It. àÁÊâ« ¿ÍÃìàµ)
´Ñ§»Ò¹¡ÅÒ§
mezzo piano (It. àÁÊâ« »ÔÍÒâ¹)
´Ñ§»Ò¹¡ÅÒ§
mezzo-soprano (àÁÊâ« â«»ÃÒâ¹)
àÊÕ§ÃÑͧ¢Í§ËÔ§·ÕèÁÕªèǧàÊÕ§ÃÐËÇèÒ§â«»ÃÒâ¹áÅÐÍÑÅâµ «×è§·ÓãËÑàÊÕ§ÁդسÀÒ¾ÂÔè§¢Öé¹
Mezza voce With a
moderate tone.
M.G. (àÍçÁ ¨Õ) «éÒÂÁ×Í
¤ÓÂÍè¢Í§¤ÓÇèÒ main gauche (½.)
military band (ÁÔÅÔ·ÒÃÕè
ẹ´ì) ¡ÅØèÁ¼ÙéàÅè¹à¤Ã×èͧ´¹µÃÕ·Õè»ÃСͺ´éÇÂà¤Ã×èͧÅÁäÁà¤Ã×èͧáµÃ·Í§àËÅ×ͧáÅÐà¤Ã×èͧ»ÃСͺ¨Ñ§ËÇÐ
ǧ´¹µÃÕ»ÃÐàÀ·¹ÕéááàÃÔèÁ·Õà´ÕÂÇãªéà¾×èͨش»ÃÐʧ¤ì·Ò§ ·ËÒ÷ÕèàÃÕ¡ÇèÒǧ´ØÃÔÂÒ§¤ì·ËÒÃ
µèÍÁÒ¨Ö§¹Ó¤Ó¹ÕéÁÒàÃÕ¡ǧ´¹µÃÕ·ÕèãªÑà¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·à´ÕÂǡѹ´éÇÂ
àªè¹ ǧ´ØÃÔÂÒ§¤ì¹Ñ¡àÃÕ¹
min Abbreviation
of the minor scale.
minacciando (It.) Threatening.
mindesten ¹éÍ·ÕèÊØ´
minim (ÁÔ¹ÔÁ) (´Ù·Õè¤Ó
haIf note.)
minor Opposite of
major. Applied to scales, keys, chords and intervals.
minor scale (äÁà¹ÍÃì Êà¡Å)
ºÑ¹ä´àÊÕ§äÁà¹ÍÃìÁÕ 3 Ẻ ¤×Í
1. à¹à¨ÍÃÑÅ äÁà¹ÍÃì »ÃСͺ´éÇÂâ¹ÑµµÑÇà´ÕÂǡѹ¡ÑººÑ¹ä´àÊÕ§àÁà¨ÍÃì
áµèàÃÔèÁ¨Ò¡ÅӴѺ·ÕèË¡¢Í§ºÑ¹ä´àÊÕ§àÁà¨ÍÃì µÑÇÍÂèÒ§àªè¹ àÍäÁà¹ÍÃìà»ç¹ÒµÔ¡Ñº«ÕàÁà¨ÍÃì
ºÑ¹ä´àÊÕ§´ÕäÁà¹ÍÃì à»ç¹ÒµÔ¡ÑººÑ¹ä´àÊÕ§àÍ¿àÁà¨ÍÃì áÅÐÁÕà¤Ã×èͧËÁÒµÑ駺ѹä´àÊÕ§à´ÕÂǡѹ
(´Ù·Õè¤Ó related keys.)
2. ÎÒÃìâÁ¹Ô¡ äÁà¹ÍÃì ¤×ͺѹä´àÊÕ§à¹à¨ÍÃÑÅäÁà¹ÍÃì·Õèµéͧ·ÓãËéÅӴѺ·Õèà¨ç´¹Ñé¹ÊÙ§¢Ö鹤Ã×è§àÊÕ§
3. àÁâÅ´Ô¡ äÁà¹ÍÃì ¤×ͺѹä´àÊÕ§à¹à¨ÍÃÑÅäÁà¹ÍÃì ·Õèµéͧ·ÓãËéÅӴѺ·ÕèË¡áÅÐÅӴѺ·Õèà¨ç´
ÊÙ§¢Ö鹤Ã×è§àÊÕ§㹷ҧ¢Ò¢Öé¹ áÅСÅѺà¢éÒÊÙèà¹à¨ÍÃÑÅäÁà¹ÍÃã¹·Ò§¢Òŧ
minuet (Eng. ÁÔ¹¹ÙàÍçµ),
minuetto (It.) ¡ÒÃàµé¹ÃÓẺ½ÃÑè§àÈÊã¹Âؤ´é¹·ÕèÍÂÙè㹨ѧËÇÐ3
áÅÐÁÕ¤ÇÒÁàÃçǻҹ¡ÅÒ§¤ÓÇèÒ ''ÁÔ¹¹ÙàÍçµ'' ÍÒ¨ÁÒ¨Ò¡ÀÒÉÒ½ÃÑè§àÈÅÇèÒ
''menu'' «×è§ÁÕ¤ÇÒÁÇèÒ àÅç¡ à¾×èÍÍéÒ§ÍÔ§¶Ö§ÅѡɳСÒáéÒÇÂèÒ§ ¢Í§¡ÒÃàµé¹ÃÓ
minuetto (It. ÁÕ¹Ùà͵âµ)
(´Ù·Õè¤Ó minuet.)
mirror This term
is sometimes attached to a fugue or canon to describe two or more
parts appearing simultaneously, with one the correct way up and
the other upside down, as if a mirror had been placed between them.
missa (Lat.) Mass.
missa brevis (Lat.) (I)
A short concise musical setting of the mass. (2) A setting of the
Kyrie and Gloria only.
Missa solemnis High
Mass.
misterioso (It. ÁÕÊàµÃÕâÍâ«)
ÅÖ¡ÅѺ
misura (It. ÁÔ«ÙÃÒ) ¡ÒùѺ¨Ñ§ËÇÐ
mit (Ger.) ¡Ñº
mixed chorus, mixed voices
mixed chorus, mixed voices A body of singers including both
adult male and female voices.
mixolydian mode âÁ´ÁÔ¡â«ÅÕà´Õ¹
âÁ´ã¹à¾Å§âºÊ¶ìÂØ¤¡ÅÒ§ «Öè§ÍÒ¨ÊÃéÒ§â´Â¡ÒÃàÅ蹨ҡ G ä»ËÒ G º¹¤ÕÂì¢ÒǢͧà»ÕÂâ¹
M.M. (àÍçÁ àÍçÁ) ¤ÓÂèͧ͢¤ÓÇèÒ
Maelzel3s metronome (´Ù·Õ¤Ó metronome.)
modal music (âÁ´ÑÅ ÁÔÇÊÔ¡)´¹µÃÕâÁ´ÑÅ
´¹µÃÕ·ÕèÁÕÃÒ¡°Ò¹ÁÒ¨Ò¡ºÑ¹ä´àÊÕ§¢Í§âÁ´ã¹à¾Å§âºÊ¶ìÂØ¤¡ÅÒ§ÁÒ¡¡ÇèÒ·Õè¨Ð¢Öé¹ÍÂÙè¡ÑººÑ¹ä´àÊÕ§àÁà¨ÍÃì
áÅкѹä´àÊÕ§äÁà¹ÍÃì
mode (âËÁ´)ºÑ¹ä´àÊÕ§·ÕèÁÕâ¹éµ¤Ãºá»´µÑÇ
«×è§à¡Ô´¢Öé¹ã¹Âؤ¡ÃÕ¡µÍ¹µé¹ áµèÅкѹä´àÊÕ§¡ç ÁÕÅѡɳСÒèѴàÃÕ§µÑÇâ¹éµãËéËèÒ§àµçÁàÊÕ§áÅФÃ×è§àÊÕ§ᵡµèÒ§¡Ñ¹ä»
áÅÐÂѧà»ç¹ÃÒ¡°Ò¹¡Òô¹µÃÕ ¢Í§à¾Å§âºÊ¶ã¹ÊÁÑ¡ÅÒ§ ºÑ¹ä´àÊÕ§àÁà¨ÍÃìáÅÐäÁà¹ÍÃì·Õèãªéã¹»¨¨ØºÑ¹à¡Ô´¨Ò¡âËÁ´àËÅèÒ¹Õé´éÇÂ
moderato(It. âÁà´ÃÒâµ)
1. ¤ÇÒÁàÃçǻҹ¡ÅÒ§ «×è§àÃçÇ¡ÇèÒÍѹ´Ò¹àµ áµèªéÒ¡ÇèÒÍÑÅàÅà¡Ã·âµ
2. ÍÂèÒ§»Ò¹¡ÅÒ§ allegro moderato ËÁÒ¶֧ àÃçǻҹ¡ÅÒ§
modere (Fr. âÁà´àÃ) »Ò¹¡ÅÒ§
modes Sets of eight-note
scales inherited from ancient Greece via the Middle Ages in which
they were most prevalent, although they still survive today in plainsong
and folk music. At the end of the 17th century the modes had been
Orangeuced to two scales, major and minor, which we know today.
Here are the modes which may be represented by scales of white notes
on the piano with the names derived from the Greek system. The 'final'
of a mode is the note of a cadence, or resting point, in a melody,
and the 'dominant' is a reciting note.
modo (It.) Manner.
In modo di, in the manner of.
modo ordinario »¯ÔºÑµÔµÒÁ»¡µÔ
ãªéËÅѧ¨Ò¡ªèǧ·ÕèÁÕ¡ÒÃãªéà·¤¹Ô¤·ÕèµèÒ§¨Ò¡»Ã¡µÔ
modulate The shift
from one key to another in composition.
modulation (âÁ´ÙàŪÑè¹) ¡ÒÃà»ÅÕ蹤ÕÂì¨Ò¡¤ÕÂì˹×è§ä»ÂѧÍÕ¡¤ÕÂì˹×è§ÀÒÂ㹺·à¾Å§à´ÕÂǡѹ
moglichst (Gr. âÁ¡ÅÔ¤Êì·)
ÁÒ¡·ÕèÊØ´à·èÒ·Õè¨Ðà»ç¹ä´é
moins (Fr. Áǧ) ¹éÍÂŧ
molto(It. âÁÅâµ) ÁÒ¡
molto allegro ËÁÒ¶֧ àÃçÇÁÒ¡
monodrama A dramatic
stage work for only one character.
monody (Gk., 'single song')
A term used to describe a solo song with accompaniment (or continuo)
in contrast to the polyphonic style in which all parts are of equal
importance.
monophonic ´¹µÃÕâÁâ¹â¿¹Õ
ËÁÒ¶֧´¹µÃÕ·ÕèÁÕáµè·Ó¹Í§à·èÒ¹Ñé¹
monophony (Gk., 'single sound')
This term describes music with a single melody line without
support of accompaniment.
monothematic Music
with only one theme.
morbido (It.) Gentle,
delicate.
morceou (Fr. ÁÍÃìâ«)
º·»Ãоѹ¸ìà¾Å§ÊÑ鹿 º·Ë¹×è§
mordent (ÁÍÃìà´é¹·ì) ¡ÒûÃдѺ»Ãдҷӹͧ´¹µÃÕẺ˹×è§
(´Ù·Õè¤Ó ornaments.)
morendo (It. ÁÍàùâ´)
¨Ò§ËÒÂä» ¤èÍÂæ Å´¤ÇÒÁ´Ñ§Å§àÃ×èÍÂæ ÁÑ¡¨ÐÍÂÙèÊèǹ·Õèà»ç¹à¤à´¹«ìËÃ×ÍÊèǹ¨º¢Í§à¾Å§
mormorado ¾ÖÁ¾ÑÁ
mosso (It. ÁÍÊâ«) à¤Å×è͹äËÇ
piu mosso ËÁÒ¶֧ à¤Å×è͹äËÇÁÒ¡¢Öé¹ËÃ×ÍàÃçÇ¢Öé¹ meno mosso ËÁÒ¶֧à¤Å×è͹äËǹéÍÂŧËÃ×ͪéÒŧ
motet (Fr. âÁàµçµ) º·»Ãоѹ¸ìÊÓËÃѺ¡ÒâѺÃéͧã¹ÅѡɳТͧà¤Òà·ÍоÍ·ì
â´ÂäÁèÁÕá¹Ç¤ÅÍ »ÃСͺ (a capella) »¡µÔÁÑ¡¨ÐÃéͧ¡Ñ¹ã¹âºÊ¶ì ¤Ó¹ÕéÁÒ¨Ò¡ÀÒÉÒ½ÃÑè§àÈÊÇèÒ
mot ËÁÒ¶֧ ¤Ó
motif (Fr. âÁ·Ô¿) ·èǧ·Ó¹Í§ËÅÑ¡¢Í§´¹µÃÕ
motive (âÁ·Õ¿) ÊӹǹẺÍÂèÒ§
àÃ×èͧÃÒÇ ËÃ×ÍÊèǹ¢Í§·Ó¹Í§ËÅÑ¡
motivic development (âÁ·ÕÇÔ¡
´ÔàÇÅÅÍ»àÁ¹·ì) ªèǧ¾ÅÔ¡á¾Å§âÁ·Õ¿ ¡ÅÇÔ¸Õ㹡ÒûÃоѹ¸ìã¹´éÒ¹¡Òä¹ËÒÅѡɳÐ੾ÒеèÒ§
æ áÅФÇÒÁà»ç¹ä»ä´é㹡ÒþÅÔ¡á¾Å§âÁ·Õ¿
motion A term describing
the course of a melody or melodies. Conjunct motion is movement
by step. Disjunct motion is movement by leap. Similar motion describes
two melodies moving in the same direction and contrary motion describes
two melodies moving in opposite directions. Paralicl motion describes
parts moving the same way and also keeping the same interval between
them.
moto (It. âÁâµ) ¡ÒÃà¤Å×è͹·Õè
con moto ËÁÒ¶֧ ´éÇ¡ÒÃà¤Å×è͹·ÕèËÃ×ÍàÃçÇ¢Öé¹
motto theme A term
for music which recurs and develops in the form of a quotation.
mouth organ (àÁÒ·ìÍÍÃì᡹)
àÃÕ¡ÍÕ¡ª×èÍ˹×è§ÇèÒ ÎÒÃìâÁ¹Ô¡Ò à¤Ã×èͧ´¹µÃÕ·ÕèÁÕÅÔé¹âÅËÐÍÔÊÃÐàÅè¹´éÇ¡ÒÃãªé»Ò¡à»èÒ
àÁÒ·ìÍÍÃì᡹»ÃСͺ´éǵÑÇ¡ÅèͧàÅç¡æ ·ÕèÁÕÅÔ鹷ͧàËÅ×ͧ¨Ñ´àÃÕ§äÇé
º¹á¼è¹âÅËÐà¾×èÍãËéÅÁ¼èÒ¹ àÁ×èÍà»èҵçªèͧ»Ò¡à»èÒáÅéÇ ¨Ð·ÓãËéÅÔé¹âÅËйÕéÊÑè¹ÊÐà·×è͹áÅéÇà¡Ô´àÊÕ§ä´é
movement (ÁÙ¿àÁé¹·ì)
Êèǹ˹Öè§¢Í§â«¹ÒµÒ «ÔÁâ¿¹Õ ÊÇÕ· ¤Í¹áªÃâµé ÏÅÏ ·ÕèÁÕ¤ÇÒÁÊÁºÙóì
ÀÒÂã¹µÑÇàͧ áµèàÁ×èÍä»ÃÇÁà¢éҡѺÊèǹÍ×è¹æ ·Õèà»ç¹ÁÙ¿àÁé¹·ìàËÁ×͹¡Ñ¹áÅéÇ
¡ç¨Ðä´é§Ò¹·ÕèãËèÂÔè§¢Öé¹ (´Ù·Õè¤Ó sonata, symphony, suite, concerto
)
movimento (It.) Motion.
Doppio mouvmento, at double the preceding speed.
MS (It. 'mano sinistra')
Left hand. Instruction to play with left hand in piano playing.
M Sop Abbreviation
of mezzo soprano.
munto (Gr. ÁعàµÍ) ÁÕªÕÇÔµªÕÇÒ
á¢ç§á¡Ãè§ (àËÁ×͹¡Ñº allegro)
musette (Fr. ÁÔÇ૵)
1. à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ·»Õè¶Ø§ÅÁ (´Ù·Õè¤Ó bagpipe)
2. º·à¾Å§·ÕèàÅÕ¹ẺàÊÕ§»Õè¶Ø§ÅÁ
musical play A type
of American-influenced light stage entertainment which succeeded
the musical comedy in the mid-20th century. Now known simply as
a musical. An example is Phantom of the Opera with music by Andrew
Lloyd Webber.
musical switch A
medley of popular tunes.
music drama A Wagnerian
term for opera, which he felt to be inadequate. This term describes
Wagner's new concept of the leitmotif and the fusing of scenery,
costume, libretti, music and drama into a new art.
music theatre A term
describing (from the 1960's) dramatic works simpler than opera and
suitable for the concert platform
musique concrete (Fr., 'concrete
music')Music in which natural sounds (instrumental, vocal
or other) were recorded on tape and then distorted, combined, etc.
This term was coined by Peter Schaeffer in 1948 but it has largely
been superseded by electronic music.
muta (It.) à»ÅÕè¹
|

|