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MuZic Dictionary

˹ѧÊ×ͤÓÈѾ·ì´¹µÃÕ·Ò§ÍÔ¹àµÍÃì๷

¤é¹ËÒ-ÈÖ¡ÉÒ¤ÓÈѾ·ì·Ò§´éÒ¹´¹µÃÕä´é·Õè¹Õè

 

[A] [B] [C] [D] [E] [F] [G] [H] [I] [J-K-L] [M] [N] [O] [P] [Q] [R] [S] [T] [U-V] [W-X-Y-Z]

nach (Ger.) To, after.
nach und nach(Ger.) ·ÕÅйéÍÂ
nachschlag (Ger.) Ornament in German music in the 17th and 18th centuries.
nachtanz (Ger., 'after dance') A quick dance used to follow a slow one.
nachtmusik (Ger.) Serenade or 'night music'. A title used in Mozart's Eine Klcine Nachtmusik.
nationalism, nationalist Music with national characteristics (e.g. use of folk music. The term is particularly applied to 19th century composers (e.g. Smetena and Grieg. Bartok and Kodaly were also famous as nationalist composers).
natural (à¹à¨ÍÃÑÅ) à¤Ã×èͧËÁÒÂà¹à¨ÍÃÑÅ ¨Ñ´ÇÒ§äÇé¢éҧ˹ÑÒâ¹éµ«×è§ãªéà¤Ã×èͧËÁÒ ªÒÃì»ËÃ×Íá¿ÅçµÁÒáÅéÇ à¾×èͤ׹¡ÅѺÊÙèàÊÕ§à´ÔÁ¢Í§â¹éµµÑǹÑé¹
natural diatonic semitones (à¹à¨ÍÃÑÅ ä´ÍÒâ·¹Ô¡ à«ÁÔâ·¹) ¨Ò¡ E ä» F áÅШҡ B ä» C à·èÒ¹Ñé¹·Õèà»ç¹à«ÁÔâ·¹ ·ÕèäÁèµéͧ¡ÒÃà¤Ã×èͧËÁÒªÒÃì» áÅÐà¤Ã×èͧËÁÒÂá¿Åµ
natural minor scale (à¹à¨ÍÃÑÅ äÁìà¹ÍÃìÊà¡Å) ºÑ¹ä´àÊÕ§à¹à¨ÍÃÑÅäÁà¹ÍÃì ¾×é¹°Ò¹¢Í§ºÑ¹ä´àÊÕ§äÁà¹ÍÃì «Öè§äÁèà»ÅÕè¹á»Å§ÅѡɳÐä´ÍÒâ·¹Ô¡ (´Ù·Õè¤Ó minor scale)
natural sign (à¹à¨ÍÃÑŠ䫹ì) à¤Ã×è§ËÁÒÂà¹à¨ÍÃÑÅ ÊÑ­Åѡɳì«Öè§ãªéźÅéÒ§¡ÒÃãªéà¤Ã×èͧËÁÒªÒÃì»ËÃ×Íá¿Åµ «Öè§ÁÕÍÂÙè¡è͹ (´Ù·Õè¤Ó minor scale)
naturale Instruction to a singer or instrumentalist to perform in the normal way (e.g. singing tenor instead of falsetto or playing without mutes).
neapolitan sixth A chord on the fourth degree of the scale with a minor third and sixth (e.g. in C major it includes the notes F, A flat and D flat).
neigbor note (à¹àºÍ â¹éµ) â¹éµà¤Õ§ â¹éµ¹Í¡¤ÍÃì´·Õèà¤Å×è͹¢Öé¹ ËÃ×ÍŧµÒÁÅӴѺ¢Ñ鹨ҡâ¹éµã¹¤ÍÃì´ áÅСÅѺä»Âѧâ¹éµã¹¤ÍÃì´µÑǹÑ鹷ѹ·Õ
neo (Gk., 'new') A prefix indicating a new interest in older styles (e.g. neo- romantic refers to composers in the 20th century writing in the romantic style).
neo-classical ´¹µÃÕẺ˹Öè§ã¹ÈµÇÃÃÉ·Õè 20 «Öè§Ëѹ¡ÅѺä»ÂִẺἹ´¹µÃÕẺ¤ÅÒÊÊÔ¤áµè ãªé·èǧ·Ó¹Í§,àÊÕ§»ÃÐÊÒ¹,áÅÐÍ×è¹æ·Õèà»ç¹áººÊÁÑÂãËÁè
new music (I) In the early 17th century this described the new expressive music; (2) Between 1850 and 1900 it described the new music of Wagner and Liszt as opposed to the more traditional music of Brahms; (3) Today it refers to music by contemporary composers.
nicht (Gr. ¹Ô¤ªì·) äÁè
nicht zu schnell (Gr. ¹Ô¤ªì· «Ù ªà¹çÅ) äÁèàÃçÇà¡Ô¹ä»
nicht zu viel (Gr. ¹Ô¤ªì· «Ù ÇÕÅ) äÁèÁÒ¡à¡Ô¹ä»
nieder (Gr. ¹Õà´Í) µèÓ
niente (It. ¹ÔàÍç¹àµ) äÁèÁÕÍÐäÃàÅÂ
ninth (ä¹·ì) ¢Ñ鹤Ùèà¡éҢͧâ¹éµ·ÕèàÃÕ§ÅӴѺ¡Ñ¹áººä´ÍÒâ·¹Ô¡
noch (Gr. ⹤ªì) Âѧ¤§
noch einmal (Gr. ⹤ª ä͹ìÁÑÅ) ÍÕ¡¤ÃÑé§Ë¹Öè§
nocturne (Fr. ¹éͤà·ÔÃì¹) à¾Å§ÊÓËÃѺ¡ÅÒ§¤×¹ à»çè¹à¾Å§»ÃÐàÀ·ªÇ¹½Ñ¹ âÃáÁ¹µÔ¡ à»ç¹·Õè¹ÔÂÁ¡Ñ¹ã¹ªèǧ ¤.¤.1800 »¡µÔáÅéǹéͤà·ÔÃ침Ðäªé¤ÍÃì´»ÃÐàÀ·¡ÃШÒ·Óà»ç¹´¹µÃÕ¤ÅÍ»ÃСͺ ¨ÍË칿ÔÅ´ì (¤.È. 1782-1837) à»ç¹¤¹áá·Õèáµè§´¹µÃÕ»ÃÐàÀ·¹Õé µèÍÁÒÀÒÂËÅѧâªá»§ä´éÂ×Á¤ÇÒÁ¤Ô´ áÅЪ×èÍÁÒãªéµèÍ
non (It. ¹ç͹) äÁè Allegro ma non troppo ËÁÒ¶֧ àÃçÇáµèäÁèÁÒ¡¹Ñ¡
non troppo (It. ¹ç͹ µÃçÍ»â») äÁèÁÒ¡à¡Ô¹ä»
non-harmonic note A note which is not part of the chord with which it sounds. This could mean a passing note or an appoggiatura.
non-harmonic tone â¹éµ¹Í¡¤ÍÃì´ ÃдѺàÊÕ§·ÕèäÁèà¢éҡѺàÊÕ§»ÃÐÊÒ¹¾×é¹°Ò¹
nota cambiata (It., 'changed note') A contrapuntal device whereby a dissonant note is used when one expects a consonant one.
notation (â¹à·ªÑè¹) à¤Ã×èͧËÁÒÂáÅÐÊÑ­Åѡɳì·ÕèãªéÊÓËÃѺºÑ¹·Ö¡´¹µÃÕ
note µÑÇâ¹éµ ÊÑ­Åѡɳì·Õèãªéà¢Õ¹᷹ÃдѺàÊÕ§
note cluster The performance of a group of adjacent notes simultaneously on the piano, e. g. with the forearm or a piece of wood. PioneeOrange by Cowell in 1912 and used by Ives. Also known as tone cluster.
note head ËÑÇâ¹éµ Êèǹ¡ÅÁ¢Í§µÑÇâ¹éµ ·Õèà¢Õ¹¤ÒºàÊé¹ËÃ×Í㹪èͧà¾×èÍáÊ´§ÃдѺàÊÕ§
note row This occurs in 20th century serial music, also called dodecaphonic music or twelve-note music. It is the order in which the composer chooses to arrange the twelve notes, which serves as the foundation of the composition. novelette (Eng.) or novellette (Ger.)\A short, instrumental, romantic piece. The term was first used by Schumann for a piano work in 1848.

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