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MuZic
Dictionary |
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˹ѧÊ×ͤÓÈѾ·ì´¹µÃÕ·Ò§ÍÔ¹àµÍÃì๷
¤é¹ËÒ-ÈÖ¡ÉÒ¤ÓÈѾ·ì·Ò§´éÒ¹´¹µÃÕä´é·Õè¹Õè
[A]
[B] [C]
[D] [E]
[F] [G]
[H] [I]
[J-K-L] [M]
[N] [O]
[P] [Q]
[R] [S]
[T] [U-V]
[W-X-Y-Z]
r Abbreviation of(l)
Ray in the tonic sol-fa; (2) Respond.
rabbia (It.) Rage.
raddoppiamento (It.)
Doubling. Usually indicates doubling of the bass at an octave
below.
ragtime (ááä·Áì) (´Ù·Õè¤Ó
jazz.)
rall Abbreviation
of rallentando.
rallentando (It. ÃÒÅàŹµÒ¹â´)
ªéÒŧ·ÕÅÐàÅç¡ÅйéÍ ¤ÓÂèͤ×Í rall.
rant Describes a
wide range of 17th century English dances.
rapide àÃçÇ
rapidissimo àÃçÇÁÒ¡
rapido (It. ÃÒ»Ôâ´) àÃçÇ
äÇ
rasch (Ger. ÃѪ) àÃçÇ
ÁÕªÕÇÔµªÕÇÒ
ratsche (Ger.) Rattle.
rattenendo (It. Ãѵàµà¹ç¹â´)
ªéÒŧ·ÕÅйéÍÂ
rattenudo (It. Ãѵ൹Ùâ´)
ªéÒŧ
real answer A responding
musical phrase (e.g. in a fugue) which exactly reproduces the subject
or entry of a theme at the fifth.
realisation The completion
of 17th and 18th century harmony by adding a keyboard accompaniment
indicated by figuOrange bass.
recapitulation (ÃÕá¤ç»»ÔµØàŪÑè¹)
(´Ù·Õè¤Ó sonata form.)
recessional (ÃÕà«ÊªÑè¹á¹Å)
º·à¾Å§ÊÇ´ËÃ×Í¡ÒÃà´ÕèÂÇÍÍÃì᡹ã¹âºÊ¶ì¢³Ð·Õèǧ¹Ñ¡Ãéͧ»ÃÐÊÒ¹àÊÕ§
ËÃ×;ÃСÓÅѧà´Ô¹ÍÍ¡ ËÅѧ¨Ò¡àÊÃ稾ԸÕáÅéÇ
recit ÂèÍÁÒ¨Ò¡ recitative.
recital (ÃÕä«à·ÔÅ) ¡ÒÃáÊ´§´¹µÃÕµèÍ˹éÒÊÒ¸Òóª¹
¤Í¹àÊÔÃìµ
recitative (àëԵҷտ)
º·Ãéͧ·ÕèäÁè¡Ó˹´¨Ñ§ËÇеÒµÑÇ àËÁ×͹àÅÕ¹àÊÕ§¾Ù´à¾×èÍ´Óà¹Ô¹àÃ×èͧÃÒÇ
«×è§ÁÑ¡ãªéã¹ÍØ»ÃÒ¡Ã ¡ÒÃáÊ´§ÍÍÃÒ·ÍÃÔâÍ
recitativo (àëԵҷÕâÇ)
ªèǧ·ÕèàËÁ×͹¡Ñº¾Ù´
recorder (ÃÕ¤ÍÃì´à´ÍÃì)
¢ÅØè·ÕèÁÕ»ÅÒÂÊèǹ»Ò¡à»èÒà»ç¹Åѡɳй¡ËÇÕ´ ¢ÅØèÂÃÕ¤ÍÃì´à´ÍÃì
ÁÕàÊÕ§¹ØèÁ¹ÇźҧàºÒ¹ÔÂÁàÅ蹡ѹã¹ÈµÇÃÃÉ·ÕèÊԺˡáÅÐÊÔºà¨ç´ áÅÐä´éÃѺ¡ÒûÃѺ»ÃاãËÁè
ã¹»Õ ¤.È.1920 µèÍÁÒ¡çÂѧ¤§ä´éÃѺ¤ÇÒÁ¹ÔÂÁàÃ×èÍÂÁÒ ÁÕ 4 ª¹Ô´ ¤×Í
1.à´Ê᤹·ì (â«»ÃÒâ¹)
2.à·ÃçºàºÔéÅ (ÍÑÅâµ)
3.à·à¹ÍÃì
4.àºÊ
recueilli (Fr. ) Meditative,
collected.
Orangeundant entry In
a fugue, this term describes an extra voice in the initial entries
or exposition.
reed (ËÃÕ´) á¼è¹äÁéÍéÍËÃ×ÍâÅËÐ
«×è§ËÒ¡·ÓãËéÊÑè¹ÊÐà·×͹´éÇ»ҡà»èÒáÅéÇ ¡ç¨Ð·ÓãËéÍÒ¡ÒÈÊÑè¹µÒÁä»´éÇÂ
à¤Ã×èͧ´¹´ÃÕ»ÃÐàÀ·à¤Ã×èͧÅÁäÁéËÅÒª¹Ô´à¡Ô´àÊÕ§´¹µÃÕ´éÇÂÇÔ¸Õ¡ÒÃàªè¹¹Õé
1. µÃСÙŤ»Õè¤ÅÒÃÔà¹ç´ ÁÕÅÔé¹à´ÕèÂÇ à¾×èÍäËÇÊÑ蹵çºÃÔàdzÊèǹ»Ò¡à»èÒ
(¡Ó¾Ç´)
2. µÃСÙÅ»ÕèâÍ⺠ÁÕÅÔ鹤Ùè à¾×èÍäËÇÊÑ蹵çºÃÔàdzÊèǹ»Ò¡à»èÒ (¡Ó¾Ç´)
3. àÁÒ·ìÍÍÃì᡹ áÍ硤Íà´Õ¹ ¤Í¹áªÃìµÔ¹Ò ÏÅÏ ÁÕÅÔ鹪¹Ô´·Ó´éÇÂâÅËÐÊÓËÃѺ
àÊÕ§áµèÅÐàÊÕ§ (àÃÕ¡ÍÕ¡ÍÂèҧ˹×è§ÇèÒ ÅÔé¹ÍÔÊÃÐ)
reed instrument (ËÃÕ´ ÍԹʵÃÙàÁ¹µì)
à¤Ã×èͧ´¹µÃÕ»ÃÐàÀ··Õèà¡Ô´àÊÕ§ä´é´ÑÇ¡Ò÷ÓãËéÅÔé¹»Õè (¢Í§à¤Ã×èͧ´¹µÃÕ)
ÊÑè¹ÊÐà·×͹ (´Ù·Õ¤Ó reed.)
reel (ÃÕÅ) ¡ÒÃàµé¹ÃÓ·ÕèÁÕ¼Ùéàµé¹µÑé§áµèÊͧ¤Ùè¢Öé¹ä»
à¤Å×è͹ä»à»ç¹Ç§¡ÅÁ ¡ÒÃàµé¹ÃÓẺÃÕŨÐÍÂÙè㹨ѧËÇÐàÃçÇ»ÃÐàÀ·¹ÑºÊͧ
(Êͧ¨Ñ§ËÇÐã¹Ë¹Öè§Ëéͧ) ÁÕ¡Òëéӷӹͧ ÊÕè¶Ö§á»´ËéͧÍÂèÒ§ÊÁèÓàÊÁÍ
ã´éÃѺ¤ÇÒÁ¹ÔÂÁ·Ñé§ã¹Ê¡ç͵Ᏼì äÍÃìᏴì áÅÐÍàÁÃÔ¡Ò
refrain A recurring
section of a song (both words and music) at the end of each stanza.
register (ÃÕ¨ÔÊàµÍÃì)
Êèǹ·ÕèÁÕ¤ÇÒÁᵡµèÒ§·Ò§ªèǧàÊÕ§¢Í§àÊÕ§ÃÑͧáÅÐà¤Ã×èͧ´¹µÃÕ
regore (It. ÃÕâ¡àÃ) à¢éÁ§Ç´
äÁèÂ×´ËÂØè¹ con rigore ËÁÒ¶֧ ÅѡɳФÇÒÁàÃçÇ·Õèá¹è¹Í¹µÒ´ÑÇ
rejouissance (Fr., 'enjoyment')
This title is sometimes found in spirited movements in suites
of the baroque period.
related Describes
the harmonic relationships of keys (e.g. G major is closely related
to D major (its dominant) since there is only the difference of
one sharp. See also relative.
related keys (ÃÕàÅàµç´¤ÕÂì)
¤ÕÂì·Ò§àÁà¨ÍÃìáÅÐäÁà¹ÍÃì·ÕèÁÕà¤Ã×èͧËÁÒµÑ駺ѹä´àÊÕ§à´ÕÂǡѹ
¤ÕÂìàÁà¨ÍÃì·Ø¡¤ÕÂìÁÕÒµÔ·Ò§äÁà¹ÍÃì «×è§àÃÔèÁµé¹·ÕèÅӴѺ·ÕèË¡¢Í§ºÑ¹ä´àÊÕ§àÁà¨ÍÃì
relative This term
refers to each key signature being shaOrange by two keys (e.g. A
minor is the 'relative' minor of C major since they both have no
sharps or flats in the key signature. D major is the relative major
of B minor since both keys have two sharps in the key signature.
relative major ÃÕàÅ·Õ¿àÁà¨ÍÃì
¤Ó·Õèãªé¡ÅèÒǶ֧¡Øá¨àÊÕ§áÅкѹä´àÊÕ§àÁà¨ÍÃì ·ÕèÁÕà¤Ã×èͧËÁÒ¢ͧ¡Øá¨àÊÕ§àËÁ×͹¡Ñ¹¡Ñº¡Øá¨àÊÕ§
áÅкѹä´àÊÕ§äÁà¹ÍÃì ·Õèàª×èÍÁ⧡ѹ ÃÕàÅ·Õ¿àÁà¨ÍÃìàÃÔèÁº¹ÃдѺ¢Ñé¹·ÕèÊÒÁ¢Í§ºÑ¹ä´àÊÕ§ÃÕàÅ·Õ¿äÁà¹ÍÃì
relative minorÃÕàÅ·Õ¿äÁà¹ÍÃì
¤Ó·Õèãªé¡ÅèÒǶ֧¡Øá¨àÊÕ§áÅкѹä´àÊÕ§äÁà¹ÍÃì ·ÕèÁÕà¤Ã×èͧËÁÒ¢ͧ¡Øá¨àÊÕ§àËÁ×͹¡Ñ¹¡Ñº¡Øá¨àÊÕ§
áÅкѹä´àÊÕ§àÁà¨ÍÃì ·Õèàª×èÍÁ⧡ѹ ÃÕàÅ·Õ¿äÁà¹ÍÃìàÃÔèÁº¹ÃдѺ¢Ñé¹·ÕèÊÒÁ¢Í§ºÑ¹ä´àÊÕ§ÃÕàÅ·Õ¿àÁà¨ÍÃì
repeat (ÃÕ¾Õ·) àÅ蹫éÓÍÕ¡¤ÃÑé§Ë¹×è§
repeat sign (ÃÕ¾Õ· 䫹ì)
à¤Ã×èͧËÁÒÂÂé͹¡ÅѺ ÊÑÅѡɳì·Õèãªé¡Ó˹´ãËéàÅè¹â¹éµ·ÕèÍÂÙèÃÐËÇèÒ§à¤Ã×èͧËÁÒ¹Õé«éÓÍÕ¡¤ÃÑé§
repetiteur (Fr.) The
coach, usually in an opera house, who teaches singers their parts.
The repetiteur may also give them cues during the performance.
replica (It.) «éÓ
Repeat.
repetition (Fr.) ¡ÒëéÓ
¡ÒÃÂéÓ¤ÇÒÁ¤Ô´·Ò§´¹µÃÕ
replica (It.) Repeat.
reprise (Fr.) (1)
Repeat; (2) The recapitulation in sonata form; (3) The return to
the first section after contrasting music in the second section
in binary form.
resolution ¡ÒÃà¡ÅÒàÊÕ§
¡Ãкǹ¡Òâͧ¡ÒÃà¡ÅÒàÊÕ§¡ÃдéÒ§ ãËé¡ÅÒÂà»ç¹àÊÕ§¡ÅÁ¡ÅèÍÁ ËÃ×Í¡ÅèÒÇä´éÇèÒàÊÕ§¡ÃдéÒ§à¡ÅÒä»ËÒàÊÕ§¡ÅÁ¡ÅèÍÁ
respond, responsory A
plainsong chant sung by a chorus alternating with solo verse(s).
rest (àÃÊ·ì) µÑÇËÂØ´·Õèà»ç¹à¤Ã×èͧËÁÒ·Õèºè§ªÕéãË駴ÍÍ¡àÊÕ§·Õè¨Ñ§ËÇйÑé¹æ
retardation In harmony
this is a suspension which resolves upwards not downwards.
retenant (Fr. àÃàµÍйͧ)
ãËéËǹ¡ÅѺ价Õè¤ÇÒÁàÃçÇà´ÔÁÍÂèÒ§·Ñ¹·Õ·Ñ¹ã´
retenir (Fr. àÃÍàµÍ¹ÕÃì)
ªéÒŧ »Ò¹¡ÅÒ§
retenu (Fr.) Held
back.
retrograde motion A
theme which is played backwards. This device was prominent in the
Middle Ages in fugues and in 20th century serial music. Retrograde
inversion describes a theme played backwards and upside-down.
revenir au tempo ¡ÅѺä»ÊÙè¤ÇÒÁàÃçÇà´ÔÁ
rezitativ (Ger.) Recitative.
rf, rfz Abbreviations
of rinforzando.
R.H. (ÍÒÃìàͪ) Á×Í¢ÇÒ
rhapsody (áû⫴Õ) à¾Å§ªÇ¹½Ñ¹·ÕèÍÂÙè㹤յÅѡɳìẺÍÔÊÃÐ
ÁÕÅѡɳСÒÃáÊ´§ÍÍ¡·Ò§ÇÕáÃÃÁ ªÒµÔ¹ÔÂÁËÃ×;×é¹àÁ×ͧ (´Ù·Õè¤Ó fantasy.)
rhythm (ÃÔ·ÖèÁ) ·Ø¡ÊÔ觷Õèà¡ÕèÂÇ¢éͧ¡ÑºàÇÅÒáÅШѧËÇÐã¹·Ò§´¹µÃÕ
riddle canon A canon
in which the cornposer leaves the performer to decide where and
at what pitch the following voices make their entries.
rigadoon (Eng.), riguadon
(Fr. ÃÕ⡴͹) ¡ÒÃàµÑ¹ÃÓ·ÕèÁÕªÕÇÔµªÕÇҢͧ½ÃÑè§àÈÊã¹ÈµÇÃÃÉ·ÕèÊÔºà¨ç´¡ÒÃà´é¹ÃÓẺÃÕ⡴͹à´ÔÁà»ç¹¡ÒÃàµé¹ÃӢͧªÒǹÒ
´èÍÁÒä´éÃѺ¤ÇÒÁ¹ÔÂÁã¹ÃÒªÊӹѡ¾ÃÐà¨éÒËÅØÂÊì·Õè 13, 14 áÅÐ 15 áÅÐà»ç¹·ÕèÃÙé¨Ñ¡¡Ñ¹ã¹¹ÒÁ¢Í§
ÃÔ¡Ò´Ù¹ ã¹»ÃÐà·ÈÍ駡ÄÉ
rigueur ¶Ù¡µéͧá¹è¹Í¹¾Í´Õ
rin Abbreviation
of rinforzando.
rinforzando (ÃÔ¹¿ÍÃì«Ò¹â´)
ÂéÓ à¹é¹ ˹ع ¤ÓÂèͤ×Í rf., rfz., rinf.
ripieno (It.) In
the old concerto grosso, the ripieno indicates the full body of
performers as opposed to the solo group (concertino). Scnza ripieni
indicates that the first desks only of the accompanying orchestra
are to play.
risoluto (It. ÃÕâ«ÅÙâµ)
à´ç´¢Ò´ ¡Ó˹´á¹è¹Í¹ µ¡Å§ã¨
risvegliato (It.) Animated
.
rit Abbreviation
of ritardando.
ritardando (It. ÃÕ·ÒÃì´Ò¹â´)
ªéÒŧ·ÕÅÐàÅç¡ÅйéÍ rallentando ¤ÓÂèͤ×Í rit, ritard.
ritenuto (It. ÃÕà·¹Ùâµ)
ªéÒŧ·Ñ¹·Õ·Ñ¹ã´ (ÁÑ¡ãªé¼Ô´ºèÍÂæ ÇèÒ¤ÅéÒ¡Ѻ rallentando ËÃ×Í
ritardando) ¤ÓÂèͤ×Í riten.
ritmico (It. ÃÕ·ÁÕâ¡)
ÍÂèÒ§à»ç¹¨Ñ§ËÇÐ à¹é¹¨Ñ§ËÇÐãËéªÑ´à¨¹
ritmo (It.) Rhythm.
Ritmo di tre battute
The music is to be performed in three bar groupings, implying
that the music is so fast there is only one beat to the bar.
ritornello (It. 'a little
return') Many meanings, but the following are the most common.
(I) In a concerto, it is a passage for the full orchestra without
the soloist; (2) In the 14th century Italian madrigal, the ritornello
is the closing section; (3) In early opera, it was an instrumental
piece.
rococo This term
was taken from French culture in the early 18th century, but musically
the title for rococo is the style galant used by composers throughout
Europe until the late 18th century.
roll (ÃÍÅ) àÊÕ§ÃÑÇ¡ÅͧãËéà¡Ô´àÊÕ§«èÒæ
ÍÂèҧ㹡ÒÃàÅ蹡ÅͧàÅç¡ à¡Ô´¨Ò¡¡ÒÃàÅè¹ÊÅѺÍÂèÒ§ÃÇ´àÃçÇ ¢Í§äÁé´Õ¡ÅͧÃÐËÇèÒ§Á×Íá´èÅТéÒ§
(´Ù·Õè¤Ó drum 1.) àÊÕ§ÃÑÇÂѧ·Óä´é¨Ò¡¡Åͧ·ÔÁ»Ò¹Õ (षà·ÔéÅ´ÃÑÁ ¨Ò¡¡ÒõÕẺÊÅѺÁ×Í·ÕÅТéÒ§
áÅÐàÅè¹ä´é¨Ò¡¡ÅͧãËèáÅЩҺ´éÇ àªè¹¡Ñ¹
romance (âÃÁÒ¹«ì), (It. âÃÁÒ¹«Ò)
º·»Ãоѹ¸ìà¾Å§·ÕèÁÕÅѡɳÐâÃáÁ¹µÔ¡ ¹ØèÁ¹ÇÅ º·à¾Å§áË觸ÃÃÁªÒµÔ·Õè¹èҷйض¹ÍÁ
romanesca Evident
in the mid-16th and early 17th century, this was a harmonic bass
line used for variations.
romantic (âÃáÁ¹µÔ¡) ẺἹ¡ÒûÃоѹ¸ì·Õè¾Ñ²¹Ò㹪èǧȴÇÃÃÉ·ÕèÊÔºà¡éÒ
µÒÁËÅѧÂؤ¤ÅÒÊÊÔ¡ ´¹µÃÕâÃáÁ¹µÔ¡ ÂéÓ·Ò§´éÒ¹¤ÇÒÁÃÙÊÖ¡ÁÒ¡¡ÇèÒ¤Õ´Åѡɳì
¹Ñ¡»Ãоѹ¸ìà¾Å§ã¹Âؤ¹Õä´éá¡è ªÙàºÃÔìµ áºÃìÅÔâÍÊ àÁ¹à´Å⫹ ªÙÁÒ¹¹ì
âªá»§ ÅÔÊ·ì ºÃÒËìÁ áÅÐÇéÒ¡à¹ÍÃì
romantic music A
l9th century style expressed by writers, painters and by musicians
like Chopin, Liszt, Berlioz, Rossini and Paganini. Characteristics
are Iyricism, chromatic harmony, an interest in literature, nationalism,
programme music, miniature or character pieces and generally emotional
aspects governing the traditional, formal musical structures.
rondeau (Fr.) A type
of French medieval song of the 13th to15th centuries with a choral
refrain. This French spelling was used in instrumental works of
the baroque period to describe rondo.
rondo (Ã͹â´) º·à¾Å§·ÕèÁշӹͧËÅÑ¡ÊÅѺ´éÇ·ӹͧÍ×è¹æ
·ÕèÁÕÅѡɳÐá´¡´èÒ§¡Ñ¹ µÑÇÍÂèÒ§´Ñ§´èÍ㻹Õé A á·¹·Ó¹Í§ËÅÑ¡µÑÇÍÑ¡ÉÃÍ×è¹æ
á·¹·Ó¹Í§«×è§áµ¡´èÒ§ÍÍ¡ä» A b A c A µÒÁ»¡µÔáÅéÇ º·à¾Å§»ÃÐàÀ· Ã͹â´
ÁÑ¡¨Ðá¨èÁãÊ Ê¹Ø¡Ê¹Ò¹ áÅÐÁÕÅÕÅÒÃÇ´àÃçÇ áÅШÐÍÂÙè㹡ÃкǹÊØ´·éÒ¢ͧ⫹ҵҤ͹áªÃâµé
áÅЫÔÁ⿹Õ
root (ÃÙé·) µÑǾ×é¹µé¹
ÃÒ¡ à»ç¹àÊÕ§ÊÓËÃѺÊÃéÒ§¤ÍÃì´áÅкѹä´àÊÕ§ à»ç¹â·¹Ô¡¢Í§ºÑ¹ä´àÊÕ§·ÃÑÂáÍ´
¨ÐÍÂÙèã¹ÊÀÒ¾´ÑǾ×é¹µé¹ (´Ù·Õè¤Ó inversion 2.)
root position (ÃÙé· â¾ÊÔªÑè¹)
µÓá˹è§â¹éµ¾×é¹µé¹ ¡ÒÃàÃÕ§µÑǢͧ¤ÍÃì´à¾×èÍãËéâ¹éµ¾×é¹µé¹ÍÂÙèã¹á¹ÇàÊÕ§·ÕèµèÓÊØ´
rota (Lat., 'wheel')
Occasionally this term is used for the round (e.g. of Sumer
is Icumen In).
round (ÃÒǹì´) ¤ÕµÅѡɳì¢Í§á¤¹¹Í¹«×è§ÁÕá¹Ç¢Í§àÊÕ§à¢éÒÁÒ㹪èǧÃÐÂзÕèÊÁèÓàÊÁÍ·Õèâ¹éµµÑÇà´ÕÂǡѹáÅЫéӷӹͧà´ÕÂǡѹ¹Õé
à¾Å§ÃÒǹ촷ÕèÁÕ¢×èÍàÊÕ§à»ç¹·ÕèÃÙé¨Ñ¡¡Ñ¹´Õ¤×Í˹ٵҺʹÊÒÁµÑÇ (three
blind mice) (´Ù·Õè¤Ó cannon.)
rounded binary (ÃÒÇ¹ì´ äº¹ÒÃÕ))
â¤Ã§ÊÃéҧẺÊͧÊèǹª¹Ô´ÃÒÇ¹ì´ ¤ÕµÅѡɳì¢Í§â¤Ã§ÊÃéҧẺÊͧÊèǹ·ÕèÁÕÅѡɳÐàËÁ×͹â¤Ã§ÊÃéҧẺÊÒÁÊèǹ
rubato (It. ÃÙºÒâµ) ÁÒ¨Ò¡ÀÒÉÒÍÔµÒàÅÕ¹ÁÕ¤ÇÒÁËÁÒÂÇèÒ
ÅÑ¡ ËÂÔº©Ç ¡ÒÃãªéàÇÅÒ¨Ò¡Êèǹ˹×è§Êèǹ㴠¢Í§ÇÅÕà¾Å§(ÍÂèÒ§ÃÕºàÃè§)
áÅéÇà¾ÔèÁàÇÅÒãËé¡ÑºÇÅÕÍÕ¡Êèǹ˹Öè§ (ãËéªéÒŧ)
ruhig (Gr. ÃÙÎÔ¡) à§Õºʧº
rullante ¡ÒáÅÔé§
rumba (ÃØÁºéÒ) ¡ÒÃàµé¹ÃÓẺ¤ÔǺÒ
·Õèä´éÃѺÍÔ·¸Ô¾Å¢Í§¨Ñ§ËÇÐẺÍÒ¿Ãԡѹ à»ç¹áººàµé¹ÃÓ·Õèä´éÃѺ ¤ÇÒÁ¹ÔÂÁã¹ÍàÁÃÔ¡Ò㹪èǧ·ÈÇÃÃÉ
àÃÔèÁ¨Ò¡¤.¤. 1930 ¨Ñ§ËÇÐÃØÁºéÒÁÕÅѡɳТ׹¨Ñ§ËÇÐ
run (Ãѹ)·Ó¹Í§à¾Å§·ÕèäÅèàÃÕ§àÊÕ§ä»ÍÂèÒ§ÃÇ´àÃçÇ
àËÁ×͹¡ÒÃäÅèàÊÕ§ẺºÑ¹ä´àÊÕ§
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